A Quote by Robert Delaunay
On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.
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The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for quite a different reason.
The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
... Philosophy proper is a subject, on the one hand so hopelessly obscure, on the other so astonishingly elementary, that there knowledge hardly counts.
We inhabit an obscure planet, in an obscure galaxy, around an obscure sun, but on the other hand, modern human society represents one of the most complex things we know.
The artist's life cannot be otherwise than full of conflicts, for two forces are at war within him [or her]-on the one hand, the common human longing for happiness, satisfaction and security in life, and on the other a ruthless passion for creation which may go so far as to override every personal desire ... There are hardly any exceptions to the rule that a person must pay dearly for the divine gift of creative fire.
Solitude, the safeguard of mediocrity, is to genius, the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.
All painting, beginning with Impressionism, is antiscientific, even Seurat. I was interested in introducing the precise and exact aspect of science, which hadn't often been done, or at least hadn't been talked about very much.
I'm a stand-up comic. I'm always doing dates; it's just that, if I'm working on a project or I'm busy, I can't get out on the road or book any shows. Since the beginning of my career, I'm usually out for at least 10-15 dates throughout the year. If I have time, then I try to get at least 30-40 dates.
Musically, I'm always gonna take it a little farther, and Lord willing, people are gonna get that and understand that: that there's not really one genre I'm trying to be in, but just as a producer, as a writer, as an artist, that I'm planning on going farther.
Slowly but surely, little by little, many different groups of vulnerable bodies and people have been targeted from since the beginning of time, from since the beginning of the construction of America and all the civilizations from around the world pre-colonially.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
No way construction of this tricky plan was built by other than a greater hand.
The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.
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