A Quote by Robert Doisneau

A photographer who made a picture from a splendid moment, an accidental pose of someone or a beautiful scenery, is the finder of a treasure. — © Robert Doisneau
A photographer who made a picture from a splendid moment, an accidental pose of someone or a beautiful scenery, is the finder of a treasure.
My mother said I should have a 'change of scenery.' The word scenery made be think of a play. And as we were driving around, it made sense that way. Because no matter how much the scenery changed, we were still on the same stage.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
For a selfie, it's not about the pose, it's about you. There's a reason why you look great in the picture or you look great in real life, because someone has caught the essence of who you are, and a pose is not you.
Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus.
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
Someone who is comfortable, someone who is happy, you see them immediately sit up, stand up and feel better about themselves. If you're able to capture that in a picture, that's the most beautiful picture you can ever take of someone.
I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful.
I think what makes a picture is a moment that is completely spontaneous and natural and unaffected by the photographer.
We are like clay containers filled with a beautiful treasure. So often it has been the love of Jesus expressed through the life of someone I know that has made a difference in my life.
I wish, naturally to prevent the possibility that someone may write an accidental, superficial, incomplete and perhaps untrue picture of me.
Most people stiffen with self-consciousness when they pose for a photograph. Lighting and fine camera equipment are useless if the photographer cannot make them drop the mask, at least for a moment, so he can capture on his film their real, undistorted personality and character.
I'd like to think I'm an approachable fella, and if someone wants me to pose for a picture, I'll always say 'yes' even when I'm with my family.
Particularly now with social media, you only need to turn round and someone will have a camera in your face and occasionally someone will be talking to you at the bar, asking you to pose for a picture, and someone will say, 'They're videoing this.' They're videoing you at the bar!
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
I feel like the quality of privacy and respect of people's personal space has been completely disintegrated. You can ask to take the picture. I will be so glad to take the picture and pose and look good for the picture.
This was a splendid life. Splendid in its obscurity and humility, splendid in its strength and charity, splendid in its achievements.
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