A Quote by Robert Doisneau
The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street.
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I'm one of those people who likes a good G-rated movie. So many of my favorite movies are G-rated. I think it's exciting to see a director really push the limits of how exciting a story can be told without ever crossing the G-rating line.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
Sometimes you can't even find the director on a movie set. Sometimes you don't want to find the director on a movie set.
I have never sought the unexpected, the novelty, the extraordinary, but rather what is most typical of our daily life... I go out to find people who resemble me, and the mirror which these images offer them is the same as that in which I see myself.
I need a world filled with wonder, with awe, with awful things. I couldn't exist in a world devoid of marvels, even if the marvels are terrible marvels. Even if they frighten me to consider them.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
In daily or everyday life, I am so impressed with tiny details, like when I look up at a street lamp falling on the street, it seems to have meaning or so much information in it.
There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
The size of budgets does not alter my decision if I should do it. If there's a movie with a budget of only $1 million that I find interesting, then I'll sign up, but it has to be in the hands of a director who can do something with it. Ultimately, it's a director's medium.
We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
Every movie you do, you find something in yourself that you probably didn't know that you had, and a director will find something in you that you can nurture and find and bring for the next one.
I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
It seems to me that when confronted with the marvels of life and the universe, one must ask why and not just how. The only possible answers are religious. . . . I find a need for God in the universe and in my own life.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
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