A Quote by Robert Downey, Jr.
I remember when people said, "Man, that's a powerful scene in the movie!" and I was like, "We just shot this thing before lunch, I don't know, he tears a log apart, I said some words".
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I confessed to Mike [Cimino] a couple of days before we shot. I was like, "What am I doing here, Mike?" And Mike just looked at me, in that very directorial manor, took a long pause, and he said, "You know the game tag?" And I said, "Yeah." And he said, "Well, you're it." That was some of the best direction I think I've ever received.
I'm a kid from Minnesota. I like seeing movie stars! So I'm there at The ivy, I've got my shrimp, Eddie Murphy comes in with his gang. I said to the waiter, as any good Midwestern boy would, "Hey, put Eddie's check on my American Express card, but don't tell him that I did it 'til I'm gone." Next day I got a call from manager who said, "Eddie's doing a movie, he was very impressed that you bought him lunch." So remember: sometimes buying people lunch can really work out well for you.
Lee Marvin was there at the same time, and I knew obviously it was his movie [Emperor Of The North], and Ernie Borgnine was playing the other part in the movie.I met Marvin there at wardrobe, and he said, "What are you doing for lunch?" I said, "Nothing." He said, "C'mon with me!" And he took me to the commissary. I walked into the commissary with Lee Marvin at 20th Century Fox, and he introduced me to people. He said, "This's Keith Carradine. We're doin' this movie together." He was so cool. I mean, my God.
Once upon a time," he said out loud to the darkness. He said these words because they were the best, the most powerful words that he knew and just the saying of them comforted him.
That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
I remember being like, 12 years old, and this was in the days before cell phones, or at least, having a cell phone. Some girls, I can't even remember who they said they were, called and said they had a crush on me. But it turned out to be a prank, and I thought that was just straight up nasty, you know what I'm saying? You're just sort of developing. You're insecure, your bones are growing... you have trouble sleeping. And all of a sudden, someone's pranking you on top of that? It's tough growing up.
It is one thing to remember, another to know. To remember is to safeguard something entrusted to the memory. But to know is to make each thing one's own, not depend on the text and always to look back to the teacher. "Zeno said this, Cleanthes said this." Let there be space between you and the book.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
I went to Catholic high school, so my being in this [the craft] is not going to make my grandmother very happy. It's funny, because I was the only one who is Catholic in it. You have this thing in mass where you have to genuflect before you go into the pew, so I said you have to do this [for a scene] and they said why, and I said because you have to; I don't know why, it's a rule. Or like instinct. It's funny they set in a Catholic school. I went to St. Ignatius College Prep - "Where Modesty is our Policy."
I said to George Lucas, "I'd like a purple lightsaber." And he said, "Why?" and I said, "I just want to be able to find myself. I'm the most powerful Jedi in the universe, and I think it would be an interesting thing for me to have a different color lightsaber than anybody else."
Your laughter is like cool water to me," I said. I felt my heart sob at these strange words, and it would not have been hard to summon tears: Strange. " "You are so serious all of a sudden," she told me. "I am not any one thing," I said. (137)
The running across the field thing, that was the first scene we shot in the movie. We asked the audience to stay for the scene, and 37,000 people stayed.
There is no such thing as originality. It has all been said before, suffered before. If a person knows that, is it any wonder love becomes mechanical and death just a scene to be shunned? There is no absolute knowledge to be gained from either. Just another ride on the merry-go-round, another blurred scene of faces smiling and faces grieved.
The first time I did a reading/signing thing at Cody's, the woman who did the introduction said something like that, and I wasn't the only one cringing. I remember looking out into the audience and seeing people's faces and people whispering to each other, and thinking like "Ugh, can we just cancel the whole thing? I can't go out there after she said that."
Words are such powerful things. We can rip somebody apart with them, we can write words down that can forever hurt another person. We can use them to tell stories and lies. We can misquote them and change what other people said to make ourselves look good.
Some movie I was in, I forget which one, some awful little movie, a reviewer said, What is Jessica Walter doing in this movie? And I said, Hello? Trying to make a living?
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