A Quote by Robert Downey, Jr.
I didn't have an identity. It was manufactured. My identity now? It was written on the wall by ancient forces.
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The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
National identity is the last bastion of the dispossessed. But the meaning of identity is now based on hatred, on hatred for those who are not the same.
I think our culture right now is a culture that's trying to find itself. They're trying to figure out what is it? Is it social media followers? Is it trying to be popular? Is it money? Is it fame? Is it power? They're searching for identity and so many of us have been there, and we'll get back to that place of what is our identity? Who are we? More importantly, whose are we? For me, I find my identity in a relationship with Christ.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
I've spent my whole career trying to stay out of any box that anyone could put me in. 'I'm going to do a play now.' 'Now I'll do a musical.' That was my instinct. So I don't feel boxed in. But 'African-American woman' is part of my identity. I don't want to relinquish that - especially as a mother, helping my daughter find her identity.
Our identity was bestowed upon us by God and when humanity rebelled against God, we were divorced from the source of our identity. In this vacuum, work can wrongfully become the source of our identity wreaking havoc on our lives and work. Work was never meant to carry the weight of our identity.
The European problem is that it assumes that the minute a woman has a child, the mother identity subsumes the professional identity. Now she's the mother, above all, and we must give her all this time.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
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