A Quote by Robert Downey, Jr.
Sometimes everything you need to know to be an actor in your mid-forties, you learn before you were 15 years old.
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When I was 15 years old I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light he was very successful, very flamboyant. And I thought, "This is what I want to do". So I'm 15 years old, I decide I'm going to Wall Street.
When I was 15 years old, I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light, he was very successful, very flamboyant. And I thought, 'This is what I want to do.' So I'm 15 years old, I decide I'm going to Wall Street.
When I begin to work on myself, sometimes things get worse before they get better. It is okay if this happens, because I know that it's the beginning of the process. It's untangling old threads. I just flow with it. It takes time and effort to learn what I need to learn. I don't demand instant change.
When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.
Here's my theory: If a person gets worldwide fame at a young age, they're emotionally frozen at that moment. For me, that's 15 to 18, so you find yourself in your mid-20s being a glorified 15-year-old. What could possibly go wrong?
When you've grown up always knowing that there's something that seemed to be different about you from most people - and not being able to understand until my mid-forties that what we were talking about here was autism - I've had to learn an awful let about myself and what I can and can't do and what I can or can't cope with.
Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.
I met my wife when we were 15 years old. I knew within 15 minutes of meeting her, that's who I wanted to marry.
Think about everything you read and everything you see. The one thing we can learn from all the horrible things that have happened in the last 15-20 years is that hysteria is the last thing we need. Cool thinking, pragmatism, and analytical thought are most important at this point.
Don't just learn one thing; learn everything about whatever you're going into. If you want to be an actor, if you want to be on Broadway, hang lights, sweep floors, sell tickets, be an usher, do everything that you can because that's where you learn your character and your craft.
I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.
The great thing about starting golf in your forties is that you can start golf in your forties. You can start other things in your forties but generally your wife makes you stop them, as Bill Clinton found out.
When you're a kid, somebody's mid-forties, you think they're an old man. Then you grow up and it's like, I was a kid.
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
We were raised very colour blind. I had gone to school and to camp for so long with white people, I think I was like 15 years old before I realised I was black.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
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