A Quote by Robert Duncan McNeill
The first season, 'Supernatural' was very anthology-like. It was like a scary story of the week that the brothers would solve.
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Way back in 1989, I got lucky with my first published story when it was selected for the Journey Prize anthology. Then I got lucky three more times. It is astounding to see how many writers published in the anthology have gone on to publish great story collections and novels. The anthology is a windfall for both writer and reader.
Sugaring season is the season when you tap the trees for sugar that turns into maple syrup. I've married someone from Vermont, so it's an expression I kept hearing, and I'm like, 'What is that? That's just so beautiful.' I like the idea it's the very, very first murmurings of spring.
There are very few horror shows, where you have a long running arc. Most horror shows play as a sort of an anthology. Buffy - a terrific show - had the-demon-of-the-week. Twilight Zone - X Files - these things had an anthology approach. Our show is a long running drama with the same creatures every week.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
I've always said that the first season was the first act of my feature, so this is what I meant. I wanted the story of 'Mr. Robot' to be Elliot actually accomplishing his goal, setting the world into chaos. What would happen to society if something like this occurred where, basically, if the consumer-debt industry were to be erased?
We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.
For those of you who are fans of 'Agents of SHIELD,' that show has continued to grow creatively every season. I feel like last season, Season 4, was its strongest creatively yet. I'm very excited for what we have planned for Season 5.
I'm terrified of the supernatural things, which is why I'm very grateful that I don't see things like that. Because if I did see things of the paranormal persuasion, I don't think I'd be able to continue making scary movies.
What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I’m concerned, if you make $2 million a week and you don’t have a hooker in your hotel room, you’re creepy and I don’t trust you. And I don’t do drugs at all, so for me it would just be more prostitutes. That’s how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I’d look like a cat in a hoarders’ house.
When you have this long of a run [in The Big Bang Theory], you don't have to have something happen every episode. Like, Sheldon lost his virginity last season and in the first season he didn't even like girls. So I feel like you can earn that stuff. And that is really fun, because you get to find new layers. It's a testament to the writing.
I directed an early episode of 'Supernatural' the first season called 'Skin.'
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
For me to get the support and the love and response we did from critics, but to also be at Trader Joe's and have women come up to me and cry and hug me is on another level. That makes you take a step back because there are genuine emotions at stake. People were truly on a journey with her. This story opened up week by week like a flower. It was just a magical season, and I'm so happy I got to do it.
No matter what, I'm never going to get an anthology from an actual publisher, though I could always score another music anthology. But if this is going to be a document of a multiplicity of my writings, it'll do. It feels like a birthday party or something.
When I was first thinking about what would become Venture for America, I was trying to figure out how to solve a problem - that our top young people were being driven to roles that did not, to me, address the needs of our time. That VFA would be a non-profit just seemed like the most efficient way to solve the problem.
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