A Quote by Robert Duvall

Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie. — © Robert Duvall
Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.
I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot.
Filmmakers, they tell me they want to make movies. I say, 'Good, go out, buy a $500 camera, get some friends and make a movie. Don't go to Hollywood. Stay wherever you are.'
... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca.
Hollywood is the sort of town where you wake up in the morning and look out to see if it's still there. I expect the whole movie colony to pick up its tents one night and go back to whatever fairyland they came from.
Go home, pick up your video camera, and make a film.
I'll give you my answer calmly and sensibly, my final answer. My final answer is finally no. The answer is no! Absolutely and finally no! Finally and positively no! No! No! No! N - O!
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.
Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?
I'm very, very serious about what I do. I think there are a lot of people out there sort of thinking it's anybody's game. You know, "You pick up a camera and you make a movie." My experiences over the years have taught me there's a lot more than that to making a film - there's also getting the film seen, and all kinds of complex realities.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
I figured, when I make a movie, especially earlier in my career, one thing I was going to make sure was that the movie doesn't cost a lot and that it has potential to make a lot of money. That's how you get respect in Hollywood.
It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.
You're talking about a whole camera crew and being mic'd up professionally everyday and just having another group of people following you around. It's a little different than having friends pick up a camera and follow you around.
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