A Quote by Robert E. Vardeman

Necromancer gives readers what they've long waited for -- a rousing conclusion to the trilogy begun in Nomadin and continued in NiDemon. Put this trilogy on your 'must-keep' shelf. Enjoy!
I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
STAR WARS is really three trilogies, nine films. The first trilogy covers the fall of the Republic and the rise of the Empire, the middle trilogy the fall of the Empire, and the last trilogy involves the rebuilding of the Republic. It won't be finished for probably another 20 years.
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
I probably could have toured off 'Trilogy' for the rest of my life. It definitely changed the culture. No one can do a trilogy again without thanking The Weeknd.
After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
Even if you are lucky enough to sell a trilogy, you don't know if you'll ever get to write that whole trilogy. I have many friends who had very long arcs planned in multi-book series that they never got to write because the first book didn't perform.
One corollary of the wretchedness of the second trilogy of 'Star Wars' films has been the final, demented sanctification of the first trilogy of films.
I'm a big 'Star Wars' fan and grew up watching the movies. I read all the books and have read 'Star Wars' fiction that went between the newest trilogy and the original trilogy and it was part of my childhood.
With the 'Hazelwood High' trilogy, I wasn't sure I was writing a trilogy. I would just write one book, then another, and then another, because the young adults who wrote me told me that they wanted to read more.
I never had a story for the sequels, for the last trilogy. That's not really part of the plan at this point, and I'll be at the age where to do another trilogy would take 10 years. I'd always envisioned it as six movies. When you see it in six parts you'll understand that it really ends at part six.
With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
Everyone's clamoring for the fourth book in the 'Fifty Shades' trilogy, which makes me laugh. Just the part of 'a fourth book in trilogy' that makes me laugh, not the clamoring for the next book.
Each time I do a trilogy it's ten years out of my life. I'll finish Episode III and I'll be 60. And the next 20 years after that I want to spend doing something other than Star Wars. If at 80 I'm still lively and having a good time and think I can work for another 10 years between 80 and 90, I might consider it. But don't count on it. There's nothing written, and it's not like I'm completing something. I'd have to start from scratch. The idea of a third trilogy was more of a media thing than it was me.
I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them.
I consciously chose a person like the bounty killer [of the Fistful trilogy] because he was the street sweeper of the desert, a man who put his life at risk exclusively for the money. I'm not saying that he went against the law, but he put himself within the wings of the law only when it was something that he could profit by.
'Parable of the Sower' is capital-I Important. Put it on the literary fiction shelf. Put it on the Holy Crap fiction shelf. Put it on every shelf. This is one of the all-time great American novels.
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