A Quote by Robert Englund

I make a star's salary when I do horror, because I can still open a movie in Italy or Spain or Germany. — © Robert Englund
I make a star's salary when I do horror, because I can still open a movie in Italy or Spain or Germany.
I do genre films because I like them or because I need the money. I make a star's salary when I do horror because I can still open a movie in Italy or Spain or Germany.
If you want to make your mark as a footballer, you think England, Germany, Italy, Spain. Maybe France or Holland. But not China, not the Middle East.
I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
Modeling, for me, was not fulfilling. I didn't see the point - although I was able to travel a great deal. I lived in Italy, Germany, and Spain, but I wasn't devoted to it.
With my quality, I feel I can bring a lot to a team that I will join. I want to show it in the big leagues: England, Italy, Spain, Germany, and France.
When Elvira, Mistress Of The Dark came out, I got to go to Japan and Australia and France, Italy, Germany, everywhere with the movie. That was great, because I love traveling.
I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.
I'm talking about France and Germany and Italy and Spain - new friend Germany - and I love that story, how they lead the world in some things that the world needs leadership in. Amongst them we're the only ones without national healthcare. Can't go to a hospital and not worry about falling into bankruptcy. They go to university free. We're killing our students with debt. That scares me.
I always laugh because people assume I love horror because I do a horror movie, but I'm not a huge horror fan.
You end up giving up half your salary every time you make a movie because you need the money to make the movie you have in your head.
My chocolate is special because it's real. My pistachios are from Italy, and the almonds are from Spain. We make our own marzipan. If I sell a product that says 'raspberry,' it's real raspberry. My plan was to make the best product possible and be the least expensive of the best chocolate makers. That's still our position.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.
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