A Quote by Robert Englund
The roughest make-up I ever wore was for 'Phantom of the Opera' because the phantom's face was all disfigured, and he's trying to pass in public so he can attend his beloved opera. That was make-up over make-up.
Related Quotes
Even when I rehearse down in the bowels of the Metropolitan Opera, you can't help but think why The Phantom of the Opera was inspired by what happens in the bowels of the opera house.
I'm still wondering about the Phantom in the chair, you know at the end of Phantom [of the Opera], so I guess that's my sort of idiocy. I still haven't figured out how they do that.
Nothing will ever be as big as 'The Phantom of the Opera' for me.
My aunt Marcia Cope-Hart was in 'Phantom Of the Opera' in San Francisco for quite a few years when I was growing up, so we would go into the city a lot to see her.
In the Broadway world, I've always wanted to play Valjean in 'Les Mis', since I've already played Gavroche. I'd also like to play the Phantom of the Opera, but I haven't really thought about any film characters. You've got to have a whole lot of training for the Phantom role, vocally.
Opera is full of trappings that make us go away from being human. You can't let them do that. You can't walk like you're in an opera! You have to make it real. You have to just be there.
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
Everything in life is made up...You make up that you are happy. You make up that you are sad. You make up that you are in love. If you don't make up your own life, who's going to make it up for you? It's bad enough when you die and everybody can make up their own stories about you. —Mr. Hooft
'The Phantom of the Opera' is the biggest thing I've ever done, bigger even than 'Cats' which, in itself, I never thought we'd top.
'The Phantom of the Opera' is about love. It's as simple as that.
I used to know all the lyrics to all the songs from 'The Phantom of the Opera.'
The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
I didn't grow up imagining myself as an opera composer. Only once in my entire adolescence did I attend an opera. I went and saw Aida at the old Met, didn't understand a thing about it, and thought it was pretty awful. But I think I had it in my genes without even realising it.
A counter-attack can only arise when you make a mistake. That's why there are rules. A horizontal pass? Prohibited. In my line-up there are as many lines as possible. Because you must have the option to pass the ball forward, even if it's a meter. Because then I can still make up for the loss of possession. After a horizontal pass this is impossible.
What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face.
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