A Quote by Robert Englund

I always serve the writer first because I'm English trained, even though I'm American. — © Robert Englund
I always serve the writer first because I'm English trained, even though I'm American.
I have a handicap in that English is not my first language. So even though I'm a writer, I don't write anymore because it's just harder in English.
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work.
English humor is hard to appreciate, though, unless you are trained to it. The English papers, in reporting my speeches, always put 'laughter' in the wrong place.
I think, though, as African-American women, we are always trained to value our community even at the expense of ourselves, and so we attempt to protect the African-American community.
There aren't a lot of Portuguese models, so everyone always expects me to be Brazilian because of my features, sometimes even American, as I have a slight American accent when I speak English.
Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
I love English, though I now call it 'Anglo- American' because we no longer speak British English due to globalization and America's economic power.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.
Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
Because growing up as an Asian-American and growing up as someone who is not white, oftentimes in this country you can feel as though you're a foreigner, or you're reminded of being a foreigner, even though you're not. Even though inside, internally, you feel completely American.
All our hiring staff are trained to interview in English. They're trained to look for Westernized segments because we deal with global customers.
Even though I'm English, I've all my life been heavily exposed to American television and culture in general.
I think what I'm doing is quintessentially American because I'm not American - even though I am on the verge of getting my American passport next week - I have a fantasy of what is American. Big spaces, Marlon Brando, James Dean, easy living.
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