A Quote by Robert Falcon Scott

Every day some new fact comes to light - some new obstacle which threatens the gravest obstruction. I suppose this is the reason which makes the game so well worth playing.
We actually do generate some new cells, some new neurons. So in the case of trauma there is the potential for there to be some new neural development which gives the person the chance to create new circuitry.
Every time I make a new game, I put all of my effort completely into that game. It's like putting all your effort into a new child that's being born. Once the project is done, I can step back and look at it objectively, which is when I can see a lot of flaws. That's when I start to make a new game that tries to fix some of those flaws.
In what region of the earth ever so remote from us, in what corner of creation ever so far out of the range of our communication, does not some burden lightened, some bond loosened, some yoke lifted, some labor better remunerated, some new hope for despairing hearts, some new light or new liberty for the benighted or the oppressed, bear witness this day, and trace itself, directly or indirectly, back to the impulse given to the world by the successful establishment and operation of free institutions on this American continent?
Life becomes religious whenever we make it so: when some new light is seen, when some deeper appreciation is felt, when some larger outlook is gained, when some nobler purpose is formed, when some task is well done.
It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.
Every artist is linked to a mistake with which he has a particular intimate relation. There is the mistake of Homer, of Shakespeare — which is perhaps, for both, the fact of not existing. Every art draws its origin from an exceptional fault, every work is the implementation of this original fault, from which come to us a new light and a risky conception of plenitude.
Well, you put a little piece of yourself into every character that you do. Even if you're playing some psychotic person, which of course I'm not, some part of you is in that character and it's hopefully believable. I always come back to the fact that my own instinct is better than something I build in my mind.
Football was just the playing I enjoyed at first, but the longer you're playing the more it becomes a social event. You meet new people and make new friends. I still know some of the people I played with when I was 11-years-old, which is nice.
I would say that when you go to the very, very top, it's an ability to come up with new ideas, with something new, to make the difference. Every world champion, every player who was traversing this universe, managed to bring something new to the game. This ability to always find some unconventional ways. That makes the final difference.
I had come to the conclusion a long time ago that there was no escape from the labyrinth of contradictions in which we live except by an entirely new road, unlike anything hitherto known or used by us. But where this new or forgotten road began I was unable to say. I already knew then as an undoubted fact that beyond the thin film of false reality there existed another reality from which, for some reason, something separated us. The 'miraculous' was a penetration into this unknown reality.
A Day never passes without some ardent reformer or group of reformers suggesting some new government intervention, some new statist scheme to fill some alleged 'need' or relieve some alleged distress.
Write it on your heart that every day is the best day in the year. He is rich who owns the day, and no one owns the day who allows it to be invaded with fret and anxiety. Finish every day and be done with it. You have done what you could. Some blunders and absurdities, no doubt crept in. Forget them as soon as you can, tomorrow is a new day; begin it well and serenely, with too high a spirit to be cumbered with your old nonsense. This new day is too dear, with its hopes and invitations, to waste a moment on the yesterdays.
One day, on tearing off some old bark, I saw two rare beetles, and seized one in each hand. Then I saw a third and new kind, which I could not bear to lose, so I popped the one which I held in my right hand into my mouth. Alas! it ejected some intensely acrid fluid, which burnt my tongue so that I was forced to spit the beetle out, which was lost, as was the third one.
And we are never too old to study the Bible. Each time the lessons are studied comes some new meaning, some new thought which will make us better.
There are some films that you know will do well. Then there are others which have good stories that ought to be told. But because they are slightly risky, not everybody is willing to take that up. But I think it is important to take risks because at the end of the day, you want to explore new genres and new characters.
Each truth that a writer acquires is a lantern, which he turns full on what facts and thoughts lay already in his mind, and behold, all the mats and rubbish which had littered his garret become precious. Every trivial fact in his private biography becomes an illustration of this new principle, revisits the day, and delights all men by its piquancy and new charm.
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