A Quote by Robert Fisk

Tanks come in two forms: the dangerous, deadly kind and the 'liberating' kind. — © Robert Fisk
Tanks come in two forms: the dangerous, deadly kind and the 'liberating' kind.
Tanks come in two forms: the dangerous, deadly kind and the "liberating" kind.
I think real life couples on screen are kind of deadly. For the most part, they're kind of deadly. You'd be surprised. Unless they're falling in love onscreen for the first time, you don't have quite the same energy for some reason.
Democracy, which began by liberating man politically, has developed a dangerous tendency to enslave him through the tyranny of majorities and the deadly power of their opinion.
Having your worst nightmares kind of come true is truly liberating.
Sanguine felt the ridiculous urge to reach out and poke him, just to see if he’d react, but he’d seen that kind of anger before. It was the quiet kind. The dangerous kind.
There's two kind of cherries, and two kind of fairies, and two kind of mothers I'm told.
The kind of improv that I'm particularly addicted to is the kind that... aims at creating a momentary, fragmentary experience that has a totality to it. It's kind of like fireworks. It's the more ephemeral of art forms - once it's gone, it's gone, baby.
My wife and I both come from Irish families. There are two kinds of Irish families: the hitting kind and the kidding kind. If you're fortunate - and both of us are - you come from the kidding kind of Irish family.
The United States is a melting pot. Like John F. Kennedy said, it's a nation of immigrants. But Donald Trump wants to build a fence that clearly makes the statement: "You and I are divided. We're different, and you're dangerous." That kind of thinking stops human, civilized evolution. It's dangerous to create that kind of tension.
Onward we stagger, and if the tanks come, may God help the tanks.
On my walks, that's when the good ideas come. The kind of hard, gritty work is when you're sitting at the computer and it's kind of intense and you're kind of in super control of it - the walks are when you let go. That's when the really big breakthroughs come in, and it's very strange.
What the soul is doing is kind of walking through the forms, and so our experience of thinking isn't normally this kind of pure intuitive insight that intellect gets, and that intellect must get right, because it's always identical to its objects, it's always the same as the forms that it's thinking about.
There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.
Convictions, in the end, they can be dangerous, but a world without them is just kind of an awful kind of gray, amorphous mass.
Basically the problem is that if the intellect is looking at or beholding the forms, what it will get is some kind of representation or image of the forms, but it won't actually have the forms, it won't touch them as it were, or it won't incorporate them.
It comes down to this: What kind of father are you? What kind of husband are you? What kind of coach or teammate are you? What kind of son are you? What kind of friend are you? Success comes in terms of relationships.
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