A Quote by Robert Fripp
If the audience doesn't hear what is going on, is it going on?
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The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?
Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.
I'm not really that interested in pandering to an audience of people that are going to judge me before they hear me. If they hear it and don't like it, that's totally fine.
I think that from day one, when it became clear that 'Wicked' was going to have a life, that we have set a standard for ourselves that we are never going to shortchange the audience; that every person that we put into that musical is going to be held to the highest standards; and that nobody is going to be coasting.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
If you hear the dogs, keep going. If you see the torches in the woods, keep going. If there's shouting after you, keep going. Don't ever stop. Keep going. If you want a taste of freedom, keep going.
I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.
These record companies are going to be going out of business pretty soon, because people are just going to be downloading what they want to hear.
If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads.
An audience who watches my shows knows who I am, knows that right when they think I'm going to make a joke, I'm going to blow something up, or during the worst peril, I'm going to have someone give someone a kiss - it's just going to happen.
Guys hurt us first! There's always more to the story. We don't have that on the radio. You can't turn on the radio and hear what's really going on. You're going to hear the perspective from a guy.
I don't know if everybody is ready to hear a woman tell them so-and-so is going to run off left tackle. But you know what? They're going to hear it.
You're not going to stay in business, the business of making movies very long because you need the resources in order to keep going. So you have to try and find a niche audience or some kind of audience that has the same likes, dislikes and aesthetic sensibilities that you have.
There's no point meeting somebody with a meat cleaver the moment they open their mouth - because they're going to clam up, you're going to have lost your impact and the audience is going to hate you for not allowing anyone to say anything.
You always have to be ahead of the audience so that they have to always catch up and know the movie's not quite going exactly where you think it's going, or expecting it to be going.
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