A Quote by Robert Fripp
However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.
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New frameworks are like climbing a mountain - the larger view encompasses rather than rejects the more restricted view.
We believe that governments and the organizations that are charged with keeping our communities safe have to have access to the most sophisticated, modern technology that exists.
Rule books tell people what to do. Frameworks guide people how to act. Rule books insist on discipline. Frameworks allow for creativity.
I don't know if I've ever had a muse per se. I would say that the woman I'm inspired by exists more in my sketchbooks. She exists in my head.
I buy a lot of fashion, and I wear many different brands. Even though I'm not so conceptual in my style, I probably buy the most from Junya Watanabe. It's always so spot on and of-the-moment although it's also so sophisticated and conceptual. I also love Marco de Vincenzo, Azzedine Alaia, and Yohji Yamamoto.
I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.
It has been said that all Government is an evil. It would be more proper to say that the necessity of any Government is a misfortune. This necessity however exists; and the problem to be solved is, not what form of Government is perfect, but which of the forms is least imperfect.
God is able to create particles of matter of several sizes and figures and perhaps of different densities and forces, and thereby to vary the laws of nature, and make worlds of several sorts in several parts of the Universe.
I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.
Sometimes we deliberate - for example when we plan a long trip or - if we are not math wizards - when we solve long division problems. However, if we deliberated every time we acted we would never get through the day. Most of the time, we act for reasons without deliberation. I am not just talking about cases of simple, habitual action, like brushing your teeth, but also about more sophisticated action.
Every ignoramus imagines that all that exists, exists with a view to his individual sake; it is as if there were nothing that exists except him. And if something happens to him that is contrary to what he wishes, he makes the trenchant judgement that all that exists is an evil.
Men are not as sophisticated as women. They're not as mature as women. They're not as connected with their emotions as women...There's a very Neanderthal quality that still exists in a lot of men... And if you're in the public eye, to me, it's very boring to say what you have to say and be media trained to the extent that you don't ever reveal any truth. There was a time in my life when I lived probably a bit more on the primal level. And it was amazing.
We keep, in science, getting a more and more sophisticated view of our essential ignorance.
When I started making music I wanted it to have a narrative and be conceptual, but as time went on I thought it was probably more practical for a first album just to have good music.
A human moment is a term I invented to distinguish in-person communication from electronic. Human moments are exponentially more powerful than electronic ones. I mean face-to-face, in-person contact and communication. I have identified several modern paradoxes and the first is that, for various reasons, we have grown electronically superconnected but we have simultaneously grown emotionally disconnected from each other.
It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual.
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