A Quote by Robert Fripp
In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.
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It is important to recognize that folklore is not simply a way of obtaining available date about identity for social scientists; it is actually one of the principal means by which an individual and a group discovers or establishes his or its identity.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
In this society, the norm of masculinity is phallic aggression. Male sexuality is, by definition, intensely and rigidly phallic. A man's identity is located in his conception of himself as the possessor of a phallus; a man's worth is located in his pride in phallic identity. The main characteristic of phallic identity is that worth is entirely contingent on the possession of a phallus. Since men have no other criteria for worth, no other notion of identity, those who do not have phalluses are not recognized as fully human.
My character has got its own individuality after the 'Comedy Nights.' People recognize me as Palak. I'm quite happy that Palak has attained such an identity.
You have a certain identity that you present to the world on Facebook, and you have a certain identity that you present with the telephone, and they are different.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
I've never thought of myself in terms of an identity. I'm always baffled when I encounter someone who gives the impression about being confident about a particular defined identity.
We hear a lot about identity theft when someone takes your wallet and pretends to be you and uses your credit cards. But the more serious identity theft is to get swallowed up in other people's definition of you.
I think it's pretty clear that the Internet as a whole has not had a strong notion of identity. And identity means, 'Who am I?' Fundamentally, what Facebook has done has built a way to figure out who people are.
I think it's pretty clear that the internet as a whole has not had a strong notion of identity. And identity means, 'Who am I?' Fundamentally, what Facebook has done has built a way to figure out who people are...
An un-named song is like an un-named child, it has no identity.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
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