A Quote by Robert Frost

If the writer does not cry, the reader does not cry. — © Robert Frost
If the writer does not cry, the reader does not cry.
If a reader comes across a story that makes them cry, you can be sure that the writer felt every single thing that makes the reader cry.
I cry at anything remotely touching - smile at me warmly and I'm off... television also does it, everything from 'X-Factor' to cereal commercials. I cry when I am tired. I also cry when I laugh.
Storm the castle Stem the tide Rise above yourself Cry baby cry Cry cry to heaven If that doesn't do it for you Go ahead and cry like hell
The cry for peace will be a cry in the wilderness, so long as the spirit of nonviolence does not dominate millions of men and women.
[I]f the writer does his job right, what he basically does is remind the reader of how smart the reader is.
One thing that bugs me in comedy is when somebody does a fake cry, you know, like they fake cry in a comedy. But in a drama they'll really cry. That bugs me.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
In this world of plenty, a tiny baby, who does not yet understand the mystery of the world, is allowed to cry and cry and finally fall asleep without the milk she needs to survive.
Why does a man cry? he wondered. Not like a woman; not for that. Not for sentiment. A man cries over the loss of something, something alive. A man can cry over a sick animal that he knows won't make it. The death of a child: a man can cry for that. But not because things are sad. A man, he thought, cries not for the future or the past but for the present.
The truth is, everything ultimately comes down to the relationship between the reader and the writer and the characters. Does or does not a character address moral being in a universal and important way? If it does, then it's literature.
Only that which does not teach, which does not cry out, which does not condescend, which does not explain, is irresistible.
I suppose a cry does us all good at times-clears the air as other rain does.
I would walk into my office, and I would close the door, and I would say, 'I won't cry, I won't cry, I won't cry'... At least, I wasn't going to let them see me cry.
Keep me away from the wisdom which does not cry, the philosophy which does not laugh and the greatness which does not bow before children.
The people are living seperately together," he said. "So there is responsibility. I cry, you cry. You cry, I cry. We all come running, and the one that stays quiet, the one that stays home, must explain. Is he in league with the criminals? Is he a coward? And what would he expect when he cries? This is simple. This is normal. This is community.
I'm always telling myself I don't have many feelings. Even when something does affect me I'm only moderately moved. I almost never cry. It's not that I'm stronger than the ones with teary eyes, I'm weaker. They have courage. When all you are is skin and bones, feelings are a brave thing. I'm more of a coward. The difference is minimal though, I just use my strength not to cry. When I do allow myself a feeling, I take the part that hurts and bandage it up with a story that doesn't cry, that doesn't dwell on homesickness.
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