A Quote by Robert Gant

I had an amazing experience being on a hit show for Showtime, doing 'Queer as Folk', and impacting things socially, like helping change hearts and minds. It's such a big chapter of my life.
I think that anything is a form of folk music. That's just me being glib, but the thing I like the best about humans, and there are not many other things besides this, is that humans make culture. If you're an artist, a big part of folk is noticing what other people are doing and incorporating it and changing it - the way that songs warp and change over time.
I think 'Sex and the City' is a chapter that will never close. In a wonderful way, it's always going to be an open chapter because it seems like new generations discover the show and relate to it, which is amazing, and you can't hope for that.
If you touch the hearts of people you can get people's minds to change, but you have to show them the beauty of not aborting a life.
Both 'The Wire' and 'Queer as Folk' had a big scope. They were panoramas, telling ambitious stories about two cities, Baltimore and Manchester, for the first time.
I love HBO and Showtime, especially Showtime. I'm a huge 'Dexter' fan, and I love 'Weeds.' That would be cool to do a recurring role on a show like that.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
Being able to change the world and change hearts and minds - it's uplifting.
I think that there are all these amazing figures in our history - the Bowies, the Tina Turners, the Chers, the people who are, in many ways, genderless or represent 'the other' - and I want pop music, and other queer artists - Kehlani, Perfume Genius - these people are bringing queer narratives into people's minds.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
Sometimes," Jem said, "our lives can change so fast that the change outpaces our minds and hearts. It's those times, I think, when our lives have altered but we still long for the time before everything was altered-- that is when we feel the greatest pain. I can tell you, though, from experience, you grow accustomed to it. You learn to live your new life, and you can't imagine, or even really remember, how things were before.
If I design another line, I will definitely design pieces that suit both pregnant and non-pregnant women. Being pregnant is one of the most amazing things, but it is a big change in a woman's life and body, and I think it is important she feels amazing all along her term. And being able to wear beautiful lingerie will definitely help.
This is life. Our bodies change. Our minds change. Our hearts change. Things are always evolving. I hope we can be supportive of each other and try to really have each other's backs, especially when we don't know the whole story.
I have an amazing group of people around me who are always like, 'Oh, wow, you're doing such amazing things. But don't get a big head,' and I'm like, 'Thanks, man, appreciate it.' It helps, you know?
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
We always wanted to have this big show. So we just kind of started doing little things, like building our own little props, and starting to put on a show. And we just started seeing the response, and it felt amazing to us, and then I fell in love with it.
I didn't know Charlie before doing the movie, but I was a huge fan of the British Queer as Folk.
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