A Quote by Robert Genn

Artists with serious aspirations need to be left alone to follow the course of their own imagination. — © Robert Genn
Artists with serious aspirations need to be left alone to follow the course of their own imagination.
I have a huge, active imagination, and I think I'm really scared of being alone; because if I'm left to my own devices, I'll just turn into a madwoman.
I need to do things on my own, need to be left alone.
Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.
The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.
Geometry alone is not enough to portray human desires, expressions, aspirations, joys. We need more.
I don't know if anyone has noticed but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with our person and thus no longer alone, the devastation of being left alone. The need to hear the words: You are not alone.
We need to assume that aspirations of people in villages are nothing less than the aspirations of people in the cities. They need a change in their lifestyle.
The Ottoman Empire . . . The rulers in Turkey were fortunately so corrupt that they left people alone pretty much - were mostly interested in robbing them - and they left them alone to run their own affairs . . . with a lot of local self determination.
Study the situation thoroughly, go over in your imagination the various courses of action possible to you and the consequences which can and may follow from each course. Pick out the course which gives the most promise and go ahead.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Everyone has experienced alienation - at some point you go through a moment where you say: "I just want to be left alone." And what is the ultimate point of being alone? - it's dying, of course.
We need to get serious about defeating ISIS; we just aren't serious about it yet. I would be very serious about getting it done. I know how to do it. We need to take the fight to them on the battlefield in a more serious way.
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
Even I have certain depictions that I personally don't like, but I don't believe artists should necessarily follow a particular person's preference. They should focus on the things they like and follow their own desires.
I am left alone in the wide world. My own dear family I have buried: one in Rangoon, and two in Amherst. What remains for me but to hold myself in readiness to follow the dear departed to that blessed world, 'Where my best friends, my kindred dwell, where God, my Saviour, reigns.'
Everyone has his own imagination of God. It is best if everyone is left to his own imagination.
This site uses cookies to ensure you get the best experience. More info...
Got it!