A Quote by Robert Genn
Take your brush here and there like a bee in an alpine meadow. In other words, don't laboriously work on or try to finish off one particular part. Paint promiscuously.
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Never take your critics lightly. You must always try to win them over by your hard work. Don't brush them off.
I just think that it's maybe fashionable today to try to take individual actions and individual failures and take the broadest possible brush and try to paint a company.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
You want to paint? First of all you must cut off your tongue because your decision takes away from you the right to express yourself with anything but your brush.
When you put on foundation with a brush, it's a heavy finish - but if you use a brush and then blend, it looks more like a moisturizer and much prettier. Then add concealer - applied with a fine brush - to the problem areas afterward.
I began to paint again, even though I could barely hold the brush, but knowing exactly what I wanted to paint, I began three more large canvases... of large wheat fields under cloudy skies, and it did not take a great deal to express sadness and loneliness... I believe these paintings say what words cannot.
There is no way to success in art but to take off your coat, grind paint, and work like a digger on the railroad, all day and every day.
Boxing is strange to watch. It's impossible to take your eyes off of it. Part of our brains like to watch violence. At the same time, it's horrifying to watch two men try to knock each other out.
I'm always going to take an experience and a fire beat and marry it all together with adult melodies. I try to paint, just like Frank Ocean paints with his lyrics. I try in similar ways to paint my life into these songs.
If you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today.
I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
Well, I would hardly say I do write as yet. But I write because I like words. I suppose if I liked stone I might carve. I like words. I like reading. I notice particular words. That sets me off.
And now you ask in your heart, ‘How shall we distinguish that which is good in pleasure from that which is not good?’ Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy. * People of Orphalese, be in your pleasures like the flowers and the bees.
[On Elizabeth Barrett Browning:] ... for finish, and melody of versification, there is nothing approaching to Miss Barrett in this day, or in any other - also for diction. Her words paint.
You must first realize the thing completely in your mind. Then grasp the brush, fix your attention so that you see clearly what you wish to paint; start quickly, move the brush, follow straight what you see before you, as the buzzard swoops down when the hare jumps out. If you hesitate one moment, it is gone.
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