A Quote by Robert Genn

By stealthily teaching dependence, photography can turn out to be dangerous. — © Robert Genn
By stealthily teaching dependence, photography can turn out to be dangerous.
It's good to be around people who see [photography] as a reasonable enterprise when everyone in the neighborhood may think it's ridiculous. (On the benefit of teaching photography)
One of the lessons that I hope people will take out is the extreme dependence simply on the financial sector is really dangerous.
The history of photography needs clearing out. It needs something else now. Because photography always acknowledged there were cameras before photography.
I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
You are 100 percent responsible for how your children turn out. And you accomplish that by teaching them that they are 100 percent responsible for how they turn out.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
I had been teaching myself photography.
I feel that I need to return to the pure stillness periodically. And then, when the teaching happens, just allow it to arise out of the stillness. So the teaching and stillness are very closely connected. The teaching arises out of the stillness. But when I'm alone, there's only the stillness, and that is my favorite place.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.
I turn you out of doors tenant desire you pay no rent I turn you out of doors all my best rooms are yours the brain and heart depart I turn you out of doors switch off the lights throw water on the fire I turn you out of doors stubborn desire.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
I dispute the idea that we turn into our parents. These children who have come into my life are unique beings. I don't think I am teaching my children anything, frankly. I think they are teaching me.
I love photography and I love the art of photography. So when I'm working with high-level art photographers, I give them artistic freedom because I want that for myself when it's my turn to do my work and I never try and control it or say I'll only do this or I want it like that.
The U.S. now imports over half of its oil supply from the Middle East. This dangerous dependence on foreign energy sources is an issue of national security.
We don't want to turn the safety net into a hammock that lulls able-bodied people into complacency and dependence.
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