A Quote by Robert Genn
The centipede has rhythm and flow in its hundred legs precisely because it does not have to think about it. Consider this the next time you move the instruments of your art.
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Once I realized, I'm more than just a worker, I could create my own future - because your thoughts are your reality - I realized you don't have to work as hard. You can just sit back, breathe, think about your next move and then think of that next move as if you already accomplished it and everything's gonna come to you.
The organizational architecture is really that a centipede walks on hundred legs and one or two don't count. So if I lose one or two legs, the process will go on, the organization will go on, the growth will go on.
Things can move so fast that you don't have time to catch your breath or think about the next move.
I have always been averse to theorizing about the art or craft of biography. Like Disraeli's biographer, Lord Blake, who offers the cautionary analogy of the biographical centipede unsure of her next step because of too much cerebration, I have made it my practice to let the facts find the theory.
I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
I'm afraid of coaching, of writer's classes, of writer's magazines, of books on how to write. They give me centipede trouble - you know the yarn about the centipede who was asked how he managed all his feet? He tried to answer, stopped to think about it, and was never able to walk another step.
Being 230 pounds, a lot of people don't think you can move the way I need to move, so that is just all the hard work I put into my legs and working on my speed and my legs.
The first day's always the hardest, because it moves so much faster than a film does and once you get into that rhythm, though, you feel like you've accomplished so much in such a short period of time, so there a bit of comfort in that. You just have to find your rhythm.
There's art in rhythm playing. Just find it. Make your own art. Find your place, and when it's your time to solo, it's your time to shine.
When you move like a jellyfish, rhythm is nothing. You go with the flow. You don't stop.
It's precisely because America is not a democracy that we have survived! It's precisely because majority rule does have checks and balances on it. It's precisely because this is a representative republic that we have survived.
One little known secret to making precisely the right move, at precisely the right time in your life is knowing that in all cases, there is more than one right move and more than one right time. Lots and lots more.
Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
the more i live, the more i realize what strange creatures human beings are. some of them might just as well have a hundred legs, like a centipede, or six, like a lobster. the human consistency and dignity one has been led to expect from one's fellow-man seem actually non-existent. one doubts if they exist to any startling degree even in oneself.
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