A Quote by Robert Genn
No one would have the courage to walk up to a writer and ask to look at the last few pages of his manuscript, but they feel perfectly comfortable staring over an artist's shoulder while he is trying to paint.
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When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
Don't hire a master to paint you a masterpiece and then assign a roomful of schoolboy artists to look over his shoulder and make suggestions.
People that have known me for a while tell me how they see me grown as an artist and as a writer. I think that this comes with continuing writing each day. I try to write as often as I can and explore more while I do it. I feel more comfortable with opening up and telling more of my story to everyone.
With every advance, you have to look over your shoulder and know what you're giving up - look over your shoulder and look at what falls away.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
A real artist may create his picture in a lonely desert... gods look over his shoulder; he creates in their company. What does he care whether or not anybody admires his picture?
Even here, in the U.S., I walk my daughter's dog and I look for interesting people sitting at a picnic table and I walk over with my white hair and I ask, "Would you mind if I sat and rested here for a minute?" Nobody would refuse that.
I'm not a model, I'm an artist. In one of my videos, I'm doing this shot of me with no make-up on where I've just woken up, and I don't think a lot of people would be comfortable enough to do that. But that's the way I look. This is who I am. Let's enjoy it. Let's just live life to the full while we're all here.
Neal Stephenson handles exposition better than anybody else. I keep trying to learn his tricks, but every time I duck into his pages, I get lost in the stories all over again and forget that I'm a writer.
A novel is 400 pages; it's an endurance race. There's no artist, so I have to describe everything. It's all prose. Whereas with comics, I can rely on the artist. It's really wonderful to have that collaboration and to not always feel the burden of describing everything myself and also just to have someone who can paint the world.
I do not ask for a path with no trouble or regret. I ask instead for a friend who'll walk with me down any path.I do not ask never to feel pain. I ask instead for courage, even when hope can scarce shine through.And one more thing I ask:That in every hour of joy or pain, I feel the Creator close by my side. This is my truest prayer for myself and for all I love, now and forever, Amen.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
At the outset, my notion of being a writer was that you would have moments of inspiration and moments of frustration, when you'd crumple up your pages and toss them away. On one side, the dustbin would fill up, and on the other side, pages would rise into a novel.
Truth is the first thing that present-day literature lacks. The writer has drowned himself in lies, he is too accustomed to speak prudently, with a careful look over his shoulder.
If your Soviet neighbor is trying to set fire to your house, you can't be worrying about the Arab down the block. If suddenly it's the Arab in your backyard , you can't be worrying about the People's Republic of China and if one day the ChiComs show up at your front door with an eviction notice in one hand and a Molotov cocktail in the other, then the last thing you're going do is look over his shoulder for a walking corpse.
People always ask me if there was one thing they could do today to change the way they look and feel, what would it be. The answer is simple: Walk. To be exact, I want you to walk 10,000 steps a day.
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