A Quote by Robert Genn
I suppose what you're doing as a painter is making a record of your trip through life. I can't think of any job that is quite as satisfactory as doing a painting.
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I think it's great in any job to be doing well and doing it the best that you can, so that's pretty great. But I wouldn't call myself a celebrity in any way. I'm just doing my job.
Busy is good, isn't it? Busy means we're hard at it, achieving our ends or "goals." Haven't had time to stop, or look around or think. That's considered the sign of a life well lived ... Suppose, though, you're not sure that what you're doing is at all worthwhile. Suppose you blundered into it over a spoonful of lime pickle. It's easy, it pays quite well. But really it's a distraction. It stops you thinking about what you ought to be doing.
I suppose I could've done a job. I haven't been doing any work. I'm not really used to doing quick jobs and then stopping, but I'm sure it would be possible.
When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
In many ways I think the company's doing quite a good job. If you look at the transition to Office 365 we started when I was there, I'm excited about that and I think the company's doing a great job on that.
Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
By your thirties, you should be doing whatever it is you're supposed to be doing with your life and just get on with it - which is what I suppose happened with me as much as to anyone else.
I recognize the inequities certain cultures have to go through. I understand the history of slavery. I know all those things. But I'm not a victim. I can vote, I can participate, I can invest my money, I can invest my time, and that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
I'm not a person that really deal in color. I recognize the inequities that certain cultures have to go through. I understand the history of slavery and all those things. But I'm not a victim. I can vote, I can participant. I can invest my money. I can invest my time. And that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
You have to be very cautious about what you are doing for charity and things like that. I think you have to start with your life. I think that's what life is expecting you to do. In your family, in your surroundings, in your work life, in the people you're with, your relationships; how you behave and doing what you need to accomplish. That for me is being a hero every day of your life.
One of the important things when you're making a record or doing a performance is the sequence of the songs. It really matters a lot because you want your project, your show, or your albums to sort of have a life.
My mom is a painter, so I've been doing drawings and paintings as early as I can remember. Then there was this gap where I was doing graffiti in high school and making as much [traditional] art.
People always think there's this huge hundred-foot-high barrier that separates doing good from doing bad. But there's not. There's nothing. There's not even a little anthill. You just take one baby step in any direction and you're already there. You've doing something awful. And your life is changed forever.
When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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