A Quote by Robert Gilman

Embody the three harmonies: within; with others; and with nature. — © Robert Gilman
Embody the three harmonies: within; with others; and with nature.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
There are three kinds of nature in man, as Nicetas Stethatos further explains: the carnal man, who wants to live for his own pleasure, even if it harms others; the natural man, who wants to please both himself and others; and the spiritual man, who wants to please only God, even if it harms himself. The first is lower than human nature, the second is normal, the third is above nature; it is life in Christ.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles... Nature runs on sunlight. Nature uses only the energy it needs. Nature fits form to function. Nature recycles everything. Nature rewards cooperation. Nature banks on diversity. Nature demands local expertise. Nature curbs excesses from within. Nature taps the power of limits.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
In my path, three things are really important. One is associating with people who inspire us with their positive influence. The company we keep is very important. Number two is our spiritual practice. Putting aside sacred time every day to make that journey within, to tune into the frequency of our true nature and the love and the grace that is within us. Number three is to try living with ethical, moral and spiritual values, which culminates in unselfish service.
In the final analysis, we count for something only because of the essential that we embody. If we do not embody that, life is wasted.
The Doctrine of the Trinity teaches that within the unity of the one Godhead there are three separate persons who are coequal in power, nature, and eternity.
There are tonalities which are noble and others which are vulgar, harmonies which are calm or consoling, and others which are exciting because of their boldness.
I do some three-part harmonies on 'Throes of Rejection' and 'Hard Lines, Sunken Cheeks,' but I didn't go overboard with it.
My appointed work is to awaken the divine nature that is within. This is my calling, to open doors of truth and make people think, to arouse others from their apathetic and lethargic state, and get them to seek out for themselves the inner peace which dwells within. This is the extent of my undertaking, I can do no more. The rest I leave to a higher power.
It seems to me that any popular fictional character's appeal is idiosyncratic in nature. Characters with large followings - Sherlock Holmes, Harry Potter, the crew of the Starship Enterprise - seem to embody something very particular even as they speak to something within a huge number of people. When I think of the most time-tested examples, the common thread appears to be an author who feels deeply for what he is creating.
There are noble tones, ordinary ones, tranquil harmonies, consoling ones, others which excite by their vigour.
Man is everywhere a disturbing agent. Wherever he plants his foot, the harmonies of nature are turned to discords.
Curing environmental ills requires not a stance outside nature, but a stance within nature, a role not as onlooker without, but as an actor within.
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