A Quote by Robert Gilpin
I was certain that I was not a Marxist, but I did believe firmly that a connection between economics and politics existed.
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I firmly believe that there is a God. I firmly believe that there is a Heaven. And I firmly believe that if you go there, it's gonna be great.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
If I was a Marxist I'd call it the crisis of capitalism. Even though I'm not a Marxist, that seems like a not unreasonable term for the widening gap between the rich and poor that we're seeing.
There'll be a growing disparity between economics and politics. An economy that grows so rapidly is intractably global. On the other hand, the current political system is intractably national. So there is a growing dichotomy between a global economy and locally based politics.
I also believe - and hope - that politics and economics will cease to be as important in the future as they have been in the past; the time will come when most of our present controversies on these matters will seem as trivial, or as meaningless, as the theological debates in which the keenest minds of the Middle Ages dissipated their energies. Politics and economics are concerned with power and wealth, neither of which should be the primary, still less the exclusive, concern of full-grown men.
I do not believe there is a natural resource economics. I believe there is good economics and bad economics.
I spent part of my college years in a Marxist commune. I was not a Marxist. I wasn't even pretending to be one. I was a Marxist-in-law.
Economics and politics are so intertwined and interlinked that politics now, mainstream politics, extreme center politics, are little else but a version of concentrated economics. And this means that any alternative - alternative capitalism, left Keynesianism, intervention by the state to help the poor, rolling back the privatizations - becomes a huge issue. The entire weight of the extreme center and its media is turned against it, which in reality now is beginning to harm democracy.
Economics now drives politics. This gives us a system in which the relationship between power and politics is no longer fused. Power is global. We have an elite that now floats in global flows. It could care less about the nation-state, and it could care less about traditional forms of politics. Hence, it makes no political concessions whatsoever. It attacks unions, it attacks public schools, it attacks public goods. It doesn't believe in the social contract.
The connection which formerly existed between the Government and banks was in reality injurious to both, as well as to the general interests of the community at large.
Sir, I do firmly believe that domestic slavery, regulated as ours is, produces the highest toned, the purest, best organization of society that has ever existed on the face of the earth.
It's time to take Economics 101 to Washington. We believe in liberty, we believe in limited government, we believe in free enterprise, we believe in family values and the sanctity of human life, and we all believe Washington needs a good dose of Economics 101.
Making the City Of Joy gave me the best political education of my life. It became a wrestling match between an Englishman who had gradually ceased to be a Marxist, and a culture that was becoming more Marxist by the day.
It's my personal opinion, and I firmly believe, that it's important that I keep sports and politics separate.
Very curious, at the age of about 13 years, Oswald began to study Marxism and he kept on in his writing, affirming that he was a Marxist. Probably he did want to show himself as a great, supreme Marxist.
I work in the field of art, and you know how during a period of Marxist ideology, fewer people are inclined to believe in the power of the culture as a whole: they believe in the revolutionary potential of economics, class struggle theory.. ..Therefore it's time to show that art means the power of creativity, and it's time to define art in a larger way, to include science and religion too..(1973
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