A Quote by Robert Glasper

"Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce." — © Robert Glasper
"Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce."
I grew up listening to Ravel, Debussy, Bartok and jazz like Charlie Parker, Dizzy Gillespie, Cannonball Adderley, Charlie Christian and Django Reinhart. It was incredibly inspiring! And I was given a guitar and I said 'What the hell is this?!'
Grover Washington was my main influence, and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Well, Grover Washington was my main influence and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
If we were second class citizens we'd be driving old Cadillacs and living good. If we were first class we'd be driving a Rolls Royce.
I always tried to live my life as though nothing changed. People would say, 'You can have a Rolls-Royce'. I'd say to that, 'What do I want with a Rolls-Royce when I can have a Volkswagen or a bike?' Some people get carried away with the juice.
When his rolls royce was mobbed by fans the chauffeur said: ''do you want me to get? them off the car?'' and Lennon replied: ''No - they paid for it, they can wreck it
Have you driven a Rolls-Royce? There is a difference between a Rolls-Royce and a Nano.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
The news of me giving a Rolls Royce to Salman is completely untrue. If anyone should be giving Rolls Royce then he should be giving to me.
At 60 miles an hour the loudest noise in this Rolls-Royce comes from the electric clock.
When you think of diversity, George Duke fits that bill better than a lot of people. He's played a lot of straight-ahead jazz with people like Nancy Wilson and Cannonball Adderley; he's played a lot of fusion with his own groups, with Stanley Clarke; and, you know, he did the rock thing with Frank Zappa. He's written all kinds of big arrangements for people like Burt Bacharach. So, he's covered the board. He's still a great pianist.
Last year my wife got a Rolls-Royce.
I gave it everything in the last 20 minutes. I knew that I still had the energy, that I was ahead of the mark. I felt euphoric — it was the last 20 minutes of my sporting career.
I don't want to be the dude that you just think about with a crazy suit, talking crap, fighting in these super fights and driving a Rolls-Royce.
My first car was a Rolls-Royce.
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