A Quote by Robert Glasper

Everybody's not going to like jazz, let's just be honest about it. Everybody doesn't like everything. There's a disconnect in generations and some people just aren't going to feel that music.
L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
Television itself is an intimate medium. It's in your house. You're visiting with these people... Not everybody's going to like it, just like not everybody likes everybody on the playground. I mean, that's life - especially if your job is to just go out there and be yourself.
I feel like I'm a trendsetter. I try to always stay on the edge of everything I do, whether it be music, fashion, film. I just like to stay abreast of what's going on. What's going on in the street and what's going on in the hood I put in my music and I feel like a lot of people follow that.
Be as honest with yourself as you possibly can. And it's not going to work for everybody, and I know you're going to be afraid of that, but please don't worry about being accepted by everybody. The people who like you and want to be around you, that's what matters, and that's what's healthiest for yourself.
A dunk during the game is just to get everybody pumped up, so everybody can feel like we're going to win this game or we're going to blow this team out or whatnot.
Everything has become very corporate and very careful. Before we had a real democracy going and there were a lot of freedoms and now there's this terrorism thing that everybody's focused on, which is really a boondoggle in my opinion. It's just an excuse to clamp down on people's free speech. And corporations intimidate people and everybody's gotten intimidated and that's really what it is, and they just keep going along. It's almost like - a little bit like that Charlie Chaplin movie, Modern Times, or 1984, Orwell
A song is not going to change this damn world. Instead of making people mad about this shitty situation, it's going to make everybody happy. It's a false thing. It's like a lullaby as opposed to a gun. People need to be slapped into reality and music just doesn't do that.
There's some things there that you just have to draw the line. Some people are just not going to like it. We would hope that everybody would like it.
And it's a crime because the great plays of history, going all the way back to the Greeks, are part of everybody's heritage. It's just like in music, Beethoven or Mozart, that's everybody's heritage.
And it's a crime because the great plays of history, going all the way back to the Greeks, are part of everybody's heritage. It's just like in music, Beethoven or Mozart, that's everybody's heritage
Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.
And more than anything, I like the improvisation of jazz. That's the same thing with DJ-ing. There's so much improvisation you can do with cuttin' and scratchin' that's reminiscent of jazz music, because it's all about how you feel. You're capturing a vibe and just going with it.
I do feel pressure from the outside world a little bit just because everybody wants new music, which is really nice. It just proves that everybody likes what I'm doing. But at the same time, I feel like it's important to just chill and experience things and really make the songs true to me.
I just kind of do my own thing. I'm not trying to be like nobody else or nothing like that. Like when I travel, everybody's like, go to Dubai, it's a new thing. I can go to Dubai, but I'm not going to just because I'm not trying to go where everybody is going.
I feel like, you know, some people like to wear colorful stuff. Some people like to be blacked down, and some people just want to be colorful. Some people just have weird problems. I'm never going to wear a pink sweater. Some people just do it because they feel like they can do it.
[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
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