A Quote by Robert Gottlieb

An editor has to be selfless, and yet has also to be strong-minded. — © Robert Gottlieb
An editor has to be selfless, and yet has also to be strong-minded.
No one has ever asked an actor, 'You're playing a strong-minded man.' We assume that men are strong-minded, or have opinions. But a strong-minded woman is a different animal.
The emerging woman ... will be strong-minded, strong-hearted, strong-souled, and strong-bodied...strength and beauty must go together.
When no one is selfless in a relationship, there is war. When one is selfless, there is peace. When both are selfless, there is joy.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
Mind over matter. Weak minded people are easily influenced. Strong minded people you can't break their will.
I've made my kids strong-willed and strong-minded where they know music from reality.
From where I come from, it's gutter, dog. I look back on that and I think, 'That's strong.' Without growing up where I came from, I wouldn't be the man I am today, a strong minded individual.
I look for dancers who have all the technique in the world. But they must be dancers who are open-minded, who are willing to forget that they know anything. They also have to be gorgeous; they must have a clear image of themselves and strong personalities.
Even when we speak of selflessness, the mind goes to "me." We think, "I'm selfless," but everything is selfless.
After Ann Godoff, who was editor-in-chief at Random House, left and went to Viking, I got to know Viking and the people there, and liked them very much. I also found a wonderful editor there, Wendy Wolf. It's a very congenial press.
As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.
Jim Rich is many different things but he has a great combination of a kind of old school tabloid reporter and editor's sense for what's a great story, but he's also incredibly passionate about social justice. I think Shaun King called him the most woke editor in American, if that's a compliment.
I was emancipated at 15 and off to Japan on a contract working. I felt for my parents. I apologized profusely years later, but I was just very strong-willed and strong-minded and had my own idea - thought outside of the box.
The belief that unhappiness is selfless and happiness is selfish is misguided. It's more selfless to act happy. It takes energy, generosity, and discipline to be unfailingly lighthearted.
For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
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