A Quote by Robert Gottlieb

City Ballet has to develop choreographers of stature and a new approach to coaching before everything we value about it fades away and, in the great tradition of the Cheshire Cat, there's nothing left but Peter Martins' smile.
Cheshire Cat: If I were looking for a white rabbit, I'd ask the Mad Hatter. Alice: The Mad Hatter? Oh, no no no... Cheshire Cat: Or, you could ask the March Hare, in that direction. Alice: Oh, thank you. I think I'll see him... Cheshire Cat: Of course, he's mad, too. Alice: But I don't want to go among mad people. Cheshire Cat: Oh, you can't help that. Most everyone's mad here. [laughs maniacally; starts to disappear] Cheshire Cat: You may have noticed that I'm not all there myself.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
A lover makes you smile like children smile. That smile that was only meant for you. The half smile. The big shiny smile full of teeth and white enamel and pink gums. The smile that fades in the distance as I drive away in a taxi again.
The god hypothesis is no longer of any pragmatic value for the interpretation or comprehension of nature, and indeed often stands in the way of better and truer interpretation. Operationally, God is beginning to resemble not a ruler, but the last fading smile of a cosmic Cheshire Cat.
I'm a full grown man and I'm not tall enough to ride a rollercoaster. So I will sit on the teacups, eat my tea and biscuits and reminisce with the cheshire cat who lives in my head. Oh hello Mr. Cheshire, lovely weather this morning. Mr. Cheshire? Oh my god.
Dangling punch lines to forgotten stories remain in the language like the smile of the Cheshire cat.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
The urge to break with a tradition is only appropriate when you're dealing with an outdated, troublesome tradition: I never really thought about that because I take the old-fashioned approach of equating tradition with value (which may be a failing). But whatever the case, positive tradition can also provoke opposition if it's too powerful, too overwhelming, too demanding. That would basically be about the human side of wanting to hold your own.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
The order of the world is always right - such is the judgment of God. For God has departed, but he has left his judgment behind, the way the Cheshire Cat left his grin.
I've really enjoyed my time with New York City and I'd like to thank Patrick Vieira and his coaching staff for helping me to develop as a player.
she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice.
New York city is full of great spaces. The best spaces of the world are here. This is the new Europe, where the settlers came and busted out their ideas and put it down so there's nothing but great space in this great city.
And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
I ended up training only for four years before I was accepted into American Ballet Theater in New York City.
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