A Quote by Robert Gottlieb

Once, Pina Bausch was about something, however disagreeable. — © Robert Gottlieb
Once, Pina Bausch was about something, however disagreeable.
Raimund Hoghe is a little man with a spinal deformity who was once Pina Bausch's dramaturge.
When I looked at people like Goya and Pina Bausch, the message I got was just do what you're passionate about. Don't think about what other people are going to say or how they're going to receive your work. Just be your work.
Pina Bausch's motto was "Dance, otherwise we are lost." She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
So it comes to this; one doesn’t need rest. Why bother about sleep if one isn’t sleepy? That stands to reason, doesn’t it? Wait a minute, there’s a snag somewhere; something disagreeable. Why, now, should it be disagreeable? …Ah, I see; it’s life without a break.
Though there are some disagreeable things in Venice there is nothing so disagreeable as the visitors.
My point is, life is about balance. The good and the bad. The highs and the lows. The pina and the colada.
Though, if you think about it, hostile, dethroned pseudodeities probably make disagreeable neighbors. You'll have to figure out something to do with him.
It's all about his determination. You never, ever, give up once you start something, once you're on the trail of something you don't stop and that's what you have to go through when you're making a movie too. Once the train's rolling, you have to stick with it.
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.
If I have my opinion about something, you have your opinion about something, we don't have to fight over it. And we can have a conversation. We can also disagree without being disagreeable, and we can just disagree, which is fine. It doesn't mean that I don't like you, or you don't like me. We just disagree.
I was in the Virgin Islands once. I met a girl. We ate lobster, drank piña coladas. At sunset, we made love like sea otters. That was a pretty good day. Why couldn't I get that day over and over and over?
Your Englishman, confronted by something abnormal will always pretend that it isn't there. If, however, you force him to look into it, he'll at once pretend that he sees the object not for what it is but for something that he would like it to be.
That which prevents disagreeable flies from feeding on your repast, was once the proud tail of a splendid bird.
One only says it is one's duty when one has something disagreeable to do.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
I always like using different muscles, you can take that however you want. But doing something once a year is fantastic, I highly recommended it if you can do it. It's a wonderful thing, it's very freeing and I can put a lot of energy and attention onto it and it's something I love doing.
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