A Quote by Robert Gottlieb
A lot of people have a lot of faith in Karole Armitage. They see her as bold, inventive, indefatigable. 'America isn't working out? There's always Europe. Ballet? No? Go modern. Keep going! Show 'em!'
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Peaky' has attracted a lot of attention from different disciplines in the arts. It was originally going to be a ballet, which is Ballet Rambert, and there is also a lot of music artists who offer their music to the show to be used on the soundtrack.
Europe has an incredibly long, bloody history based on an excess of nationalism which has also created a lot of amazing art. The issue is that America also imported a lot of that wholesale, dropped it onto this other big continent over the sea, and that's worked really well so far, but my view is that a little breather is necessary to make sure that - because Europe is about to fall, Sweden is going, Germany is going, France is going, America is going to be the preserver of that inheritance.
It was incredibly daunting for me to go from 'Son Of Rambow' to 'Narnia' because of the natural jump that there is that is dictated by budget, and the number of people working on it. Even though a lot more people saw 'Son Of Rambow' than we expected, a lot more people were always going to go and see 'Narnia'.
There's a lot of really wonderful things about the United States of America, especially its ethnic diversity and its mostly successful struggle to create a democracy out of many different cultures. So, we have a lot of capital as a people, we have a lot of cultural capital to keep our democracy going.
A while ago I did a story comparing the change in employment rates in recessions in the U.S. and in Europe, and what I found was that America fired a lot of people and rehired a lot of people faster than Europe. That difference is disappearing, and that is a problem.
I love the working class, and everyone from it that I've met, and think they're incredible witty, inventive - there's a lot of poetry there. A lot of rough stuff as well. What there is, too, is an awful lot of expressiveness and intelligence and originality down there. And a lot of thwarted intelligence.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
A lot of names in America and Europe have their roots in Latin and Greek words. A lot of them go back to archetypes and their stories.
I think clearly Europe has a lot to worry about. When I was working at the CIA - and I always worked with a lot of European services - they always were very condescending toward the United States, saying that we are so racist vis-à-vis blacks and other people.
I started out singing covers. I've sung a lot of 'em and love a lot of 'em.
I spend a lot of time out there. I've got a lot of family that lives in Inglewood and surrounding areas. So I'm right in the hood, every time I go there I go see my peoples. I rep real hard for the people that I see that are the counterparts of what I'm trying to do out here, out there.
I was having a lot of issues with just a lot of social media trolls: people would try to make fun of my size and my weight to the WWE and what not. I just decided to go out there and post a picture of me in a bathing suit. I said, 'You know what? This is my body. I'm going to embrace it, and I'm going to show the world.'
To maintain a consistency when people come to see the band takes a lot of work; it takes a lot of discipline. I go to the studio every day and sing and play. I never did that when I was, like, 30. I'd probably have a drink and walk on - and see what comes out. But now if there's ten albums' worth of material people are coming to hear some of, and they've paid money for a ticket, you become a different person when you go on and you want to give the best show you can. You want to be better at what you do.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events - the parties and the premieres that people go to to get noticed - I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events -- the parties and the premieres that people go to to get noticed -- I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
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