A Quote by Robert Gottlieb

Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me. — © Robert Gottlieb
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
People say that the Beavis voice doesn't sound like me or some other voices. Butt-Head I think sounds like me.
There have been plenty of things that I've written that other people haven't cared about, but it hasn't stopped me from being a writer. So, I don't even think about other people. I'm just interested writing about human beings so if somebody calls and says, 'We'd like you to do it,' I'd say, 'That sounds like a cool idea.'
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
The rush of creating sounds and mixing sounds is always an interesting challenge, especially for someone like me, who doesn't know about sound.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
Tame Impala and I love the psychedelia. To me, it sounds like Blind Faith and old bands from back in the freak days. It just hit a nerve to me. I was just really feeling that sound.
Metal, I love metal sounds. If I have a stick with me, I just drag it across a fence. And all fences make different sounds, just like people when they laugh.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
I just want to sound different than everyone else. I don't care if it sounds bad. I just want people to be like, 'Yo, that dude Benny was different.' Even if it sounds awful, at least they can't say, 'Oh well, I've heard that before.'
People ask me about all sorts of sounds. There's a sound of a screeching toy or a rubber duck and everybody asks me about that, but it was an absolutely random thing, just a cool sound.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
The idea of lying on a beach as my main thing just sounds like the worst. It sounds horrible to me. I would go bonkers. I would have to be on serious drugs. I'd be super-duper bored. I like high intensity.
I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam. At least it sounds that way to me.
When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.
A lot of people are like, "How are you going to re-do it?" I'm not worried about what people are going to say because you know people are gonna be like, "It doesn't sound like this... It sounds like this." I'm just going to make music that I know I'm supposed to make.
He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more." "That sounds excruciating.
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