A Quote by Robert Gottlieb

'Eclipse' is overlong and overly self-conscious, but it isn't a fake or a zero; it just gets exhausting. It raises a crucial question: 'When does Concept morph into Gimmick?' — © Robert Gottlieb
'Eclipse' is overlong and overly self-conscious, but it isn't a fake or a zero; it just gets exhausting. It raises a crucial question: 'When does Concept morph into Gimmick?'
Rule No. 1 is you can't be fake. If you're fake, you become a gimmick and you're selling a gimmick; a little gimmick is cool, this is entertainment. But when you base your stuff on mostly real stuff, you never run out of it because every day is a different adventure.
Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.
I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.
Altruism raises your mood because it raises your self-esteem, which increases happiness. Plus, giving to others gets you outside of yourself and distracts you from your problems.
Ontologically, chocolate raises profoundly disturbing questions: Does not chocolate offer natural revelation of the goodness of the Creator just as chilies disclose a divine sense of humor? Is the human born with an innate longing for chocolate? Does the notion of chocolate preclude the concept of free will?
The water vessel, taken as a vessel only, raises the question, "Why does it exist at all?" Through its fitness of construction, it offers the apology for its existence. But where it is a work of beauty it has no question to answer; it has nothing to do, but to be.
The self of which you speak, whether it is the great self or the small self, is only a concept that does not correspond to any reality.
If I'm being forced to do something I don't want to do, my real self comes out. But whether or not I'm aware of it, no matter what happens, I'm always going to have a fake self, and I'm not going to judge my fake self.
If I'm being forced to do something I don't want to do, my real self comes out. But whether or not I'm aware of it, no matter what happens, I'm always going to have a fake self and I'm not going to judge my fake self.
When I talk about self-management, self-regulation, self-government, the word I emphasize is self, and my concern is with the reconstruction of the self. Marxists and even many, I think, overly enthusiastic anarchists have neglected that self.
'Eclipse' is a concept piece, and its concept centers on 36 large light bulbs strung from above in a geometrical pattern and at different heights, some of them at times down below the dancers' chest level.
I'd seen a great many partial eclipses, but a partial eclipse has the same relation to a total eclipse as flirting with a man does to marrying him. It's completely different.
Everything that you do or say that raises the self-esteem of another raises yours as well.
Nick's mother and I were attentive, probably overly attentive - part of the first wave of parents obsessed with our children in a self-conscious way.
If you could map out a human brain, an open question is, if you simulated it, would it be you? Now, as we discussed earlier, we don't have a great definition or even a good technological handle to know whether something is conscious or not just by looking at it, so there's that aspect that we're not ready to answer, I would argue. But it raises very interesting questions about the nature of identity.
All of which raises the question – your task, burden, privilege, call it what you like – a question which men and women, great and not-so of every color, creed and sexual persuasion have asked since they first had the language to do so, and probably before: Does Anything I Do Matter?
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