A Quote by Robert Gottlieb

City Ballet remains a great company in perpetual artistic crisis. — © Robert Gottlieb
City Ballet remains a great company in perpetual artistic crisis.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
to have a crisis, and act upon it, is one thing. To dwell in perpetual crisis is another.
Essentially, you have to be aware of a crisis happening: 'Can the company go on if I get hit by a bus?' That's, I think, how you build a great company and something that can scale.
In a ballet company, you're trying to create unison and uniform when you're in a cour de ballet.
The Mexican debt crisis, Latin American debt crisis, the crises of the 1990s, the Wall Street stock market crash, and other events should have reminded us, and did remind us, that financial instability remains a concern, remains a problem.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
I can state that I created a ballet company of which everyone said: St. Petersburg has the greatest ballet in all Europe.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
I had classical training at London's Royal Ballet School, and my first job was with the Semperoper Dresden ballet company in Germany.
What's always interested me the most about ballet is it's this great opportunity for many different artistic mediums to come together to create a cohesive experience.
For the company of the great is good company as Shakespeare understood it, as Plutarch understood it. The past remains the source from which example and precept can still be drawn.
The experience of the '90s, whether it's the '94 peso crisis or the '97 crisis in Asia, the '98 crisis, even the 2001 crisis, is that we recovered pretty readily. There wasn't great consequence.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
The Kirov is a great ballet company because it has so many terrific dancers, but it doesn't always know what to do with them.
Over the last ten years, technological advances have dramatically lowered the financial bar for starting a new company, but the courage bar for building a great company remains as high as it has ever been.
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