A Quote by Robert Gottlieb
Larry Hart and Dick Rodgers were both bright Jewish boys from Manhattan who at one point or another went to Columbia, but there the similarity in their backgrounds ends.
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For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
Larry, you only told me one lie. You said there will be another Larry Bird. Larry, there will never, ever be another Larry Bird.
There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age.
Nantucket was a Quaker-based culture, so they were not readers. There's a great Nantucket-based novel from the 19th century that Melville read for his research for 'Moby-Dick': 'Miriam Coffin' by Joseph Hart.
I wanted to work with those boys (producers Andy and Larry Wachowski) because they're so eccentric and peculiar. Larry, of course, is halfway towards being a woman now. It's a crazy world.
I wouldn't say that I'm very similar to the character of Nathan at all. Both of us have had very different upbringings and backgrounds. I have a competitive nature like the character of Nathan. That's really easy to draw from when I'm acting; that's probably the biggest similarity.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
The Sage embraces similarity of understanding and pays no regard to similarity of form. The world in general is attracted by similarity of form, but remains indifferent to similarity of understanding.
Rodgers & Hart had a few flops before they clicked. You know, it happens. I don't know anyone who always gets away with everything.
I lived with Stu Hart and the rest of the Hart's. So, I could go to the Hart Dungeon any time I wanted.
My parents were both from extremely different backgrounds. My father's Italian, my mother was of Swedish descent. They're both first-generation Americans.
Dietz and Schwartz have sort of fallen by the wayside a little bit, and they are up there with Rodgers and Hart and Irving Berlin and Cole Porter. They are the finest of the revue composers - their stuff is so good and so strong.
When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books.
I live in a high-rise apartment building, so I just have two cats. They're both pound kitties. One of them, Dick, is an evil, foot-biting cat. When I write a tiger morph, I'm always imagining Dick.
People from all over the world were killed in the attacks on the World Trade Centre. They came from many different cultural, ethnic and religious backgrounds. Christian, Jewish, Muslim and Hindu believers were killed together as they worked in the towers.
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