A Quote by Robert Gottlieb
'The Sleeping Beauty' is the greatest, most challenging and most vulnerable of classical ballets. Everything can go wrong with it, and all too often, everything does.
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optimism, n. The doctrine, or belief, that everything is beautiful, including what is ugly, everything good, especially the bad, and everything right that is wrong. It is held with greatest tenacity by those most accustomed to the mischance of falling into adversity, and is most acceptably expounded with disproof - an intellectual disorder, yielding to no treatment but death. It is hereditary, but fortunately not contagious.
I approached UNHCR because I believe in what the United Nations. I believe refugees are the most vulnerable people in the world. They are affected by everything, including landmines. They are vulnerable to everything.
Most people are fools, most authority is malignant, God does not exist, and everything is wrong.
When I'm speaking on stage I feel my most empowered and my most vulnerable. So much could go wrong. That tension is such a rush.
Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.
I think my greatest victory was every time I walked out there, I gave it everything I had. I left everything out there. That's what I'm most proud of. I can't go win Wimbledon anymore, so if what I've done in the past is not good enough, let it go. Because I'm certainly not sitting around thinking about it.
We learn most not from all of the things that go right. We learn most when everything goes wrong.
The mathematics is the odd one, odd because I'm not sure how to measure its effect. It is so fundamental to my outlook on everything and yet I'm not even sure how. It must be because in my formative years it was everything to me, the single place of beauty in my life, and of breathtaking beauty at that. I still believe that pure mathematics is the most creative thing that humanity does, though I am no longer a part of it.
When you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it.
I had the same sensation as when we watch someone sleep. When asleep we all become children again. Perhaps because in the state of slumber we can do no wrong and are unconscious of life, the greatest criminal and most self- absorbed egotist are holy, by a natural magic, as long as they're sleeping. For me there's no discernible difference between killing a child and killing a sleeping man.
Everything good is costly, and the development of personality is one of the most costly of all things. It is a matter of saying yes to oneself, of taking oneself as the most serious of tasks, of being conscious of everything one does, and keeping it constantly before one's eyes in all its dubious aspects.
As a parent, you experience the most of everything. The most love, the most fear, the most hurt and the most tired, the most of every emotion.
A change initiative can fail for multiple reasons - in fact, there are just too many things that can go wrong. The focus of the initiative might be wrong - too narrow or too broad. The initiative might be poorly executed or under-resourced. But most often, a change initiative fails because it hits a behavioral impasse. Something in the culture of the company is in conflict with the objective or execution of the initiative.
I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do.
The popular tendency is to listen approvingly to the most extreme statements and claims of politicians and orators who seek popularity by declaring their own country right in everything and other countries wrong in everything.
There can be no question of selecting in any direction, but of penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life.
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