A Quote by Robert Goulet

I can tell jokes. I can talk to the audience. I can relax. I can change my songs whenever I want. I can change the tempos. I can change the mood, because I'm in charge. — © Robert Goulet
I can tell jokes. I can talk to the audience. I can relax. I can change my songs whenever I want. I can change the tempos. I can change the mood, because I'm in charge.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
Trinity Taylor and Ginger Minj both went on one of these big roast tours where the comedians all make fun of each other and I wrote their sets for that. Sometimes I help Monet X Change punch up jokes for her show, 'The X Change Rate.' I don't charge Monet because she's my best friend.
You see, I know change I see change I embody change All we do is change Yeah, I know change We are born to change We sometimes regard it as a metaphor That reflects the way things ought to be In fact change takes time It exceeds expectations It requires both now and then See, although the players change The song remains the same And the truth is... You gotta have the balls to change
The average mind requires a change of environment before he can change his thought. He has to go somewhere or bring into his presence something that will suggest a new line of thinking and feeling. The master mind, however, can change his thought whenever he so desires. A change of scene is not necessary, because such a mind is not controlled from without. A change of scene will not produce a change of thought in the master mind unless he so elects.
I'm always trying to change things - change my character, change my look, change my hair, change my facial hair, change my costumes, or implement different jackets or catchphrases. I try to keep myself fresh.
No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.
I can change the arrangements on stage while I am playing or singing, doing signs to the musicians to change things because the audience is dancing or singing with us. That's the interesting part of the live show, actually, because everything is possible and everything can change.
Whenever you bring up women's internal workings, guys want to change the subject. Unless, of course, they're trying to change the laws.
That's why these songs have lasted as long as they have because they're just about feelings that don't change. They are love songs, they are not specific, those kinds of feelings don't change.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
As much as people say they love change, they love it when you change - not when you want them to change. Even when it comes to processes they don't like, they're afraid of change.
I do think Hillary Clinton should have pivoted and say, I am change, I am change, because people do want some change.
Change or be changed, right? And what we mean by that is that climate change, if we don't change course, if we don't change our political and economic system, is going to change everything about our physical world.
People change because of kids. They change how they eat. They change the way they think. They change the way they see one another.
I want to make change, but I've already made change. I will continue to make change. I'm not just running on a promise of change.
If you want to change the fruits, you will first have to change the roots. If you want to change the visible, you must first change the invisible.
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