A Quote by Robert Graham

The nature of the lost-wax process is that there is no original in the popular sense. — © Robert Graham
The nature of the lost-wax process is that there is no original in the popular sense.
I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
I'm not a blood and guts person. I remember seeing 'House of Wax' as a teenager in 3D. This was years ago, the original 'House of Wax', and that was scary enough for me that I thought I'd never see another one.
I'm not a fan of plastic surgery. Oh, and I've never had a wax in my life. Waxing makes no sense to me because you have to grow it out to wax it.
We have lost sight of nature's role in the whole process of maturation and growing up. Parents and nature are a team. And nature can't go on without the parental role of being able to foster individuality and viability unless the attachment needs are fully met.
I used to know things intellectually, but now I feel them. Now I feel that my body is part of nature, so being sick is just a process of nature, and death is a process of nature, and being reborn through the soil is a process of nature.
I suppose there's a melancholy tone at the back of the American mind, a sense of something lost. And it's the lost world of Thomas Jefferson. It is the lost sense of innocence that we could live with a very minimal state, with a vast sense of space in which to work out freedom.
Half a man's life is devoted to what he calls improvements, yet the original had some quality which is lost in the process.
A sense of curiosity is nature's original school of education.
Modern man, seeking a middle position in the evaluation of sense impression and thought, can, following Plato , interpret the process of understanding nature as a correspondence, that is, a coming into congruence of pre-existing images of the human psyche with external objects and their behaviour. Modern man, of course, unlike Plato , looks on the pre-existent original images also as not invariable, but as relative to the development of a conscious point of view, so that the word "dialectic" which Plato is fond of using may be applied to the process of development of human knowledge.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
One of the things you hear about when studying the nature of fanaticism is that a lot of the time, people don't start as fanatics. They shift and evolve into that state. That's a process, a systematic process of losing your identity and sense of self.
Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.
I believe every translation is a process in which something is lost in the original precisely so that something is gained in the new text.
When we lost Glen Campbell, we lost an American original. We also lost a really good man.
The education of this president [Obama] is a protracted and often amusing process . . . as he continues to alight upon the obvious with a sense of profound and original discovery.
The left has lost touch with popular opinion, thereby making it possible for the right to present itself as the party of common sense.
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