A Quote by Robert Graves
Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves.
Related Quotes
Abstract reason, formerly the servant of practical human reasons, has everywhere become its master, and denies poetry any excuse for existence.
Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves. Of never acquiescing in a fraud; of never accepting the secondary-rate in poetry, painting, music, love, friends. Of safeguarding our poetic institutions against the encroachments of mechanized, insensate, inhumane, abstract rationality.
We cannot reason ourselves out of our basic irrationality. All we can do is to learn the art of being irrational in a reasonable way.
We admire Chaucer for his sturdy English wit.... But though it is full of good sense and humanity, it is not transcendent poetry.For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is.
I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.
We cannot let the haters of this world define us. Or frighten us into no longer being ourselves.
We have needed to define ourselves by reclaiming the words that define us. They have used language as weapons. When we open ourselves to what they say and how they say it, our narrow prejudices evaporate and we are nourished and armed.
To forgive another from the heart is an act of liberation. We set that person free from the negative bonds that exist between us. As long as we do not forgive we pull them with us, or worse, as a heavy load. The great temptation is to cling in anger to our enemies & then define ourselves as being offended & wounded by them. Forgiveness, therefore, liberates not only the other but also ourselves. It is the way to the freedom of the children of God.
For centuries many of the world's distinguished philosophers have assaulted Christianity as being irrational, superstitious and absurd.
As a writer and as a human being, Susan Dworkin has always had the
ability to draw us into new dreams of justice, and to make them
irresistibly practical, humorous and human. She makes clear that
progress and pleasure go together.
What actually makes poetry poetry is of course impossible to define. We recognize it when we hear it, when we see it, but we can't define it.
When I began, poetry was very academic. You published little pamphlets from fancy presses. It was rather... chaste. There wasn't much public reading. Then there was poetry and jazz, which I don't think worked, though I love jazz.
Nothing is as universal as some good scatalogical humor. I try to shift the frame in which people think about poetry from being distant or "sacred" to being more human, because then I think it becomes easier to feel like poetry belongs to us, is for us, is from us.
You could fancy what you'd like, but as a woman, my mother always raised us to believe in ourselves. I am very grateful that my mother brought me up that way.
To be an aritst is not to wait for others to define us, but to define ourselves, claim our lives.
Look at Gleason in The Honeymooners. He was humorous but the way he lived wasn't really humorous. He was a bus driver. Who wants to be a bus driver? He didn't have any money and he was not famous. But despite that, the show is humorous.
Poetry connects us to what is deepest in ourselves. It gives us access to our own feelings, which are often shadowy, and engages us in the art of making meaning. It widens the space of our inner lives. It is a magical, mysterious, inexplicable (though not incomprehensible) event in language.
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