A Quote by Robert Graves
If there's no money in poetry, neither is there poetry in money.
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A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
There's no money in poetry, but then there's no poetry in money, either.
People who publish poetry today do it from a sense that poetry needs to be published, not because they think they are going to make money.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I would not recommend poetry as a career. In the first place, it's impossible in this time and place - in this culture - to make poetry a career. The writing of poetry is one thing. It's an obsession, the scratching of a divine itch, and has nothing to do with money. You can, however, make a career out of being a poet by teaching, traveling around, and giving lectures. It's a thin living at best.
I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
Poetry gets to be the poetry of life by successfully becoming first the poetry of poetry.
Poetry should describe itself, and always be simultaneously poetry and the poetry of poetry.
Money has no religion. Money does not belong to any class or creed. Neither it belongs to a gender nor an age. Money decides fate. Money also decides status. Money buys you food and money buys a basic necessity like water too.
Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
Poetry is concerned with using with abusing, with losing
with wanting, with denying with avoiding with adoring
with replacing the noun. It is doing that always
doing that, doing that and doing nothing but that.
Poetry is doing nothing but using losing refusing and
pleasing and betraying and caressing nouns. That is
what poetry does, that is what poetry has to do no
matter what kind of poetry it is. And there are a
great many kinds of poetry.
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