A Quote by Robert Green

Having worked with some of the characters in football and having to be nice to them - and knowing your job depends on you having to be nice to them - just doesn't appeal to me.
Being tired of all illusions and of everything about illusions – the loss of illusions, the uselessness of having them, the prefatigue of having to have them in order to lose them, the sadness of having had them, the intellectual shame of having had them knowing that they would have to end this way.
It would be so nice to have the luxury just to laze. So nice not to have to always get up and get dressed for some occasion. Always having to move from here to there, where everything is scheduled and even having lunch with my kids on their Easter break has to be slotted in. Maybe one day...
Just having the internet is a weird and dangerous thing because people become accustomed to knowing things when they want to know them and not having to work for it. I definitely see the value in not knowing everything and having mystery in life and mystery in people.
Having faith does not mean having no difficulties, but having the strength to face them, knowing we are not alone.
I'm somewhat of a socialist in the sense that I believe in housing for the homeless and medical care for all. So, for me, the American dream has been having a TV show, and being successful and having a nice house and having everything.
Nothing focuses attention like a real deadline. If you are in a field where life and death, or having a job or not having a job, depends on not missing deadlines, you need to learn to manipulate yourself to meet them; often a good way of doing this is teaming up with non-procrastinators.
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
Having a hit is nice, having some success, but when you move popular culture, that's a high.
It's nice having your work recognized but having people follow you around is kinda weird.
If your reading life and your friendships overlap, that's just a nice coincidence - a case where the conversation you're having with books and the conversation you're having with actual human beings happen to dovetail.
It doesn't matter about money; having it, not having it. Or having clothes, or not having them. You're still left alone with yourself in the end.
I've gotten some pretty nice awards. I'm having trouble finding places to put them all.
The Deluge: A punishment inflicted on the human race by an all-knowing God, who, through not having foreseen the wickedness of men, repented of having made them, and drowned them once for all to make them better - an act which, as we all know, was accompanied by the greatest success.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.
I think the best privilege that I have in terms of having them as my parents was not just the doors that opened, but, I think, the stability to be graceful in the face of rejection, which is something that actors get every single day, and knowing it's not personal and not having that be part of your psyche.
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