A Quote by Robert Green Ingersoll

To me, the most obscene word in our language is celibacy. — © Robert Green Ingersoll
To me, the most obscene word in our language is celibacy.
I would never use obscene language in the office. Certainly not. I kept my obscene language for the home, where it belongs.
Celibacy is one of the most unnatural things. It has destroyed so many human beings - millions - Catholic monks, Hindu monks, Buddhist monks, Jaina monks, nuns. For centuries they have been teaching celibacy; and the most amazing thing is, even in the twentieth century, not a single medical expert, physiologist, has stood up and said that celibacy is impossible, that in the very nature of things, it cannot happen.
I believe that should is one of the most damaging words in our language. Every time we use it, we are, in effect, saying that we are wrong, or we were wrong, or we're going to be wrong. I would like to take the word should out of our vocabulary forever and replace it with the word could. This word gives us a choice, and we're never wrong.
If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.
I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives.
I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives. And I can go anywhere. No one knows who I am.
Cure" is one of the most precious words in the English language. It's a short word. A clean and simple word. But it isn't so easy a thing as it sounds. There are questions like: How will this affect us in ten years? In twenty? What will it do to our children? Our children's children?
One of the most misleading representational techniques in our language is the use of the word 'I.'
The use of language around drugs is really important. So we find that it's increasingly difficult in our society to find the word "drug" not connected to the word "abuse." The notion of a responsible use of drugs is written out in the language of our culture.
I sing only in Meronian - my own language - but there are also elements of English and Finnish languages in our songs. When we use the spiritual Meronian language, the word 'international' doesn't do justice to our band. This kind of psychic language's means of communication can reach galaxies beyond our planet, not to mention the other living and inanimate entities of our own planet.
We depend on our words... Our task is to communicate experience and ideas to others. We must strive continually to extend the scope of our description, but in such a way that our messages do not thereby lose their objective or unambiguous character... We are suspended in language in such a way that we cannot say what is up and what is down. The word "reality" is also a word, a word which we must learn to use correctly.
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.
Average. It was the worst, most disgusting word in the English language. Nothing meaningful or worthwhile ever came from that word.
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.
The Greeks understood the mysterious power of the below things. They are the ones who gave us one of the most beautiful words in our language, the word enthusiasm.
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