A Quote by Robert Greene

I have sort of issues with my claustrophobia where being on an airplane or if I force myself, to put myself in these circumstances that I kind of, am afraid of, that can be a way to toughen me up.
As a human, I am flawed in that it is difficult for me to consider others before myself. It feels like I have to fight against this force, this current within me that, more often than not, wants to avoid serious issues and please myself, buy things for myself, feed myself, entertain myself, and all of that.
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
I never fully got to experience my childhood. I've spent a lot of time having to sort of grow myself up in many ways and also to sort of slow myself down and allow myself to live at the pace that I am.
I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
God is true. The universe is a dream. Blessed am I that I know this moment that I have been and shall be free all eternity; ... that I know that I am worshiping only myself; that no nature, no delusion, had any hold on me. Vanish nature from me, vanish these gods; vanish worship; ... vanish superstitions, for I know myself. I am the Infinite. All these - Mrs. So-and-so, Mr. So-and-so, responsibility, happiness, misery - have vanished. I am the Infinite. How can there be death for me, or birth? Whom shall I fear? I am the One. Shall I be afraid of myself? Who is to be afraid of whom?
The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
I feel like I put pressure on myself to perform well and to play well and to do well. That's what I expect of myself. It's not always going to happen, but I can certainly sort of put myself in the position where I can get the best out of myself.
He kissed me hard and I kissed him back harder, like it was the end of an era that had lasted all of my life. Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really - all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
The truth was that I'd been spending years running away from myself. I hid myself in drama, silliness, stupidity, banality. So afraid to grow up. So afraid to involve myself in relationships where I might be expected to give the same love I got - instead of sixth-grade shenanigans. I bored myself with all the when I grow up nonsense, but I was worried it would never happen even as I longed for it.
I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.
How would I behave in a situation that caused me to summon the essence of my character? The tragedy inspired me to test myself. I wanted to reveal to myself who I was: the kind of person who died, or the kind of person who overcame circumstances to help himself and others
I was not happy with myself as a human being when I was very young - I was afraid of people; I was afraid of talking, I didn't know how to express myself other than by being on stage.
In this perfect world, there are certain imperfections that catch your eye. That's what works for me. I don't concentrate on being perfect, but instead put that effort behind my craft and being true to myself. I don't conform to pressures outside of me. I am confident about myself.
In a sense I am able to interrogate myself, address myself from that slight distance and enter a kind of dialogical relationship with myself. Because I'm saying, "Look, these are things that have happened to me, but how odd they are or how ordinary they are [is up to the reader to decide]."
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