A Quote by Robert Greene
If marriage isn't something for me, but I like living with someone or being committed, I can choose this other path as long as she's okay with it but I would hardly say that that should be what other people do. Some people want that, that written paper, that commitment and that means something to them. And I don't in the least look down on it.
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People can't help the way they feel, only what they do about it. They can no longer not be attracted to someone other than their spouse than they can say they are not hungry or not thirsty or not frightened or embarrassed. It's when you act on that attraction when you know it would be bad for your marriage that is the problem. In a good marriage, the couple are each as committed to the marriage as they are to each other.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
I realized that the ignorance was profound. I don't mean that in a pejorative sense, it's just that people didn't know what the Shari'a was, as such. They knew that it was something good. I should say perhaps that the Shari'a, etymologically in Arabic, means a desert path to water. It means a path towards salvation, in the seventh-century context, to the desert people. If you have a path to water, that's the path you want to take to get you where you want to get to; where you should get to. And that much was clear but beyond that people didn't know what the rules were.
If someone has it inside them to commit an act, then that act would be committed anyway. It's very easy for someone to place the blame on something other than the person who committed the act. It's people looking for scapegoats, you know?
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
If a citizen who's committed many crimes, instead of going to prison would say something against me or another politician, or against any other well known person ... I don't want to be disrespectful to anybody but someone who's killed twenty people could easily tell a lie.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
I think that if you look at all of the books that have ever been written about people working in the White House, they're sort of the opposite of my book. And I think that so many people want to write a book that sort of memorializes their place in history. And I wanted to write something for all of the women who are like me. I grew up in upstate New York, I graduated high school with 70 other people and didn't ever know that anything like this would have really been an option for me. So I wanted other young women — and men — to know that just being you is plenty.
Too many women waste their lives grieving because they do not have something other people tell them they should want. Whether you are happy or not depends to some degree upon outsward circumstances, but mostly it depends how you choose to look at thing syourself, whether you measure what you have or what you have not.
You told me you believed marriage was for other people." "You're the only man who could make me believe that it's for me, too. Although when you get down to it, love is what's real. I still say marriage is just a piece of paper." Jack smiled. "Let's find out," he said, and he pulled me down to the bed with him. Jack & Ella
If there are going to be people out there making war on other people, don't you think it's a good idea for some of those people to at least follow a code of ethics? Not 'honor' but something you can pin down and be sure of, something with the same rules for everybody.
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
Look at who people are elevating and deifying in the public eye, and ask yourself what those people have done to receive such lauding and what it is they haven't. When you look at that you say, okay, are these people being revered for something of merit, or are they completely hallow? Or even worse, are they being revered for something that is actually destructive?
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
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