A Quote by Robert Greene
Every couple of years when your book comes out then you have to go into these fights with the publisher and the publicist and then maybe I bring sort of my knowledge of power into play.
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As a writer you know you don't have to deal with a lot of the crap that most people deal with, the political things. Every couple of years when your book comes out then you have to go into these fights with the publisher and the publicist and that's it.
It will seem as if you were making the visions banal — but then you need to do that — then you are freed from the power of them Then when these things are in some precious book you can go to the book and turn over the pages and for you it will be your church — your cathedral — the silent places of your spirit where you will find renewal. If anyone tells you that it is morbid or neurotic and you listen to them — then you will lose your soul — for in that book is your soul.
"Eight Days of Luke" was refused by another confused publisher on the grounds that children shouldn't strike matches. When my agent pointed out that David in the book was twelve years old, the publisher said that he was striking matches to summon the devil, then, and this couldn't be allowed.
That's the thing about a book: You're in the public life for a little bit, and then you sort of go away for a little while - several years, in my case - and then you come out again, hopefully.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question.
I think recharging is important, absolutely. Every now and then, you need maybe a couple of weeks to just chill out and let your emotions balance themselves out a little bit.
I labored for eight years thinking that I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.
I labored for eight years thinking I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.
I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
If you've written a powerful book about a woman and your publisher then puts a 'feminine' image on the cover, it 'types' the book.
I started to play the guitar for a couple of years, which was fun. I still bring it out once in a while, could bust out a couple of songs, but I'm not very good at it.
I can't just keep fooling around every other fight. Have a few good fights and then get unfocused again and have a couple bad fights. I really have to stay the course and stay focused.
When I first signed to RCA, I was sort of excited and shocked that it was happening. But over the next couple of years, it really started to feel like that game you play when you're a little kid - the one where you put your nose on a bat and then spin around and try to walk.
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