A Quote by Robert Greene
Over the years I've met quite a few big rappers. Then it exploded with 50 Cent, and I did a book with him. It's always a strange meeting of two worlds, it's very exciting.
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And Mel [Brooks] - you have to understand this important point - he had done "The Producers" for $50,000 over two years, and he didn't make a penny from it. And then he did "The Twelve Chairs" - $50,000 for two more years and didn't make a penny from it. That's four years of work. And then they offered him quite a bit of money to direct "Young Frankenstein," and he took it.
Snoop Dogg is hilarious. T.I. is really funny. Who else? 50 Cent is hilarious. Jay-Z is funny. I've met him, but he's funny in interviews. He was funny when I saw him, too. Ludacris is funny. Everybody is. Rappers are funny, a lot of them.
Here's the truth. The proposed top rate of income tax is not 50 per cent. It is 50 per cent plus 1.5 per cent national insurance paid by employees plus 13.3 per cent paid by employers. That's not 50 per cent. Two years from now, Britain will have the highest tax rate on earned income of any developed country.
That whole day [ of the space flight] is very vividly impressed on my memory because it was such a new experience. We hadn't done that before. And then I've recalled it so often since then I think that it's a - it's remained very vivid over the past 50 years, seems to me like about a week or two instead of 50 years.
When I was little I definitely listened to a lot of DMX and 50 Cent. Those were probably the two main rappers I was listening to when I was young, but my favorite rapper has always been Lil Wayne.
Overall, working with 50 Cent was one of my favourite moments. I grew up, like most of us did, listening to his music and loving him as an artist, so to be able to work with him as an actor was definitely something that was so exciting.
If Europe today accounts for just over 7 per cent of the world's population, produces around 25 per cent of global GDP and has to finance 50 per cent of global social spending, then it's obvious that it will have to work very hard to maintain its prosperity and way of life.
When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.
There was a period after my first solo album came out that about 50 per cent of my work was with symphonies and big bands. We did the Captain and Tennille as well, but it ended up being about 50-50.
Travis Scott is definitely a big inspiration. Lil Wayne was a big one. Lil Wayne, 50 Cent. Those were my two, like, big ones growing up. Then I got into Mac Miller, Wiz Khalifa phase.
I wasn’t like 'Oh, I'm going to marry 50 Cent...' I mean, seriously. But I did like him. He's very sweet and antithetical to what you'd think of him.
I was one of the first rappers to have his own forum. Then 50 Cent made 'Thisis50.com,' and everyone made sites just like it.
I always heard 50 Cent, Da Brat, Lil' Kim, all that in the house. My mom's playing them - 50 Cent, Kanye West.
How do I start writing a book? I sit there, I come up with an opening line, and then I go little by little. I'll wonder, Well, what's coming? And that goes right through to the very end. For over a dozen years now, I've had a recurring dream where I'm reading a book and the pages are blank, but as I read, the words come to exist as fast as my eyes can move. Strange, strange thing.
One world on its own is a strange enough seethe of coiling, unknowable veins of intention and chance, but two? Where two worlds mingle breath through rips in the sky, the strange becomes stranger, and many things may come to pass that few imaginations could encompass.
The electronic media introduced this idea to the larger audience very, very quickly. We spent years and years and years meeting with activists all over Europe to lay the groundwork for a political response, as we did here.
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