A Quote by Robert Grudin

Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
There are three forms of visual art: Painting is art to look at, sculpture is art you can walk around, and architecture is art you can walk through
Most CEOs walk around the office like we own the place, without realizing that the place itself isn't worth owning: a business's value comes from the people who walk out the door every night, who have to decide each morning whether to walk back in. One of the simplest things you can do as a leader is honor their choice and appreciate their work.
you will never catch up. Walk around feeling like a leaf know you could tumble at any second. Then decide what to do with your time. --The Art of Disappearing
The women on that list are amazing, so to be on it for the first time and have this position is crazy. I'm not one to walk around and strut like Miss Thing, so I'm pretty humbled.
I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
I just like to walk around New York, just put my iPod on and walk around.
I used to walk down the street like I was a super star... I want people to walk around delusional about how great they can be - and then to fight so hard for it every day that the lie becomes the truth.
I don't walk around with fear. I walk around with strength. I believe in cause and effect.
You walk around feeling like a teenager and immortal your whole life, and suddenly there isn't much time left.
The weird thing about having your birthday on a school day is that by the time you get to be ten, or eleven for sure, no one at school knows it's your birthday anymore. It's not like when you're little and your mom brings cupcakes for the whole class. But even though no one knows, you walk around like it's supposed to be a national holiday. You walk around thinking that people are supposed to be nice to you, like maybe on your birthday you're ten times more breakable than on any other day. Well, it doesn't work that way. It just doesn't.
I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
I certainly don't walk around my home or being with my family and just using profane language all the time, but on stage, it's a constant.
We don't walk around wearing candy stuff all day or colorful stuff. It's like, I walk around wearing black.
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
Gardening is really an extended form of reading, of history and philosophy. The garden itself has become like writing a book. I walk around and walk around. Apparently people often see me standing there and they wave to me and I don't see them because I am reading the landscape.
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