A Quote by Robert H. Grubbs

Catalysts are the conductors who choreograph the chemical dance that results in the formation of new structures. — © Robert H. Grubbs
Catalysts are the conductors who choreograph the chemical dance that results in the formation of new structures.
There's an innate feeling when I choreograph in juxtaposition to how I feel as a dancer. When I choreograph, I never really look into the mirror. But as dancers, we always check ourselves in the mirror. I do feel that when I choreograph, I am making a dance on my own body. Much of it is my own response to the music.
Perhaps, you know, new laws, new domains of potential openness are occurring as the universe ages, and complexity previously disallowed is now possible, and we are that complexity. We are nature moving out of its genetic phase - a phase under the control of chemical genes, which are physical structures, in to an epigenetic phase, a phase of culture ruled by codes, transformable culturally confined codes - mathematics, religion, philosophy, art, dance, humor.
If anyone is calling me to choreograph a dance, they know my style, and they know I am a taskmaster. They want to present themselves as a good dancer before their fans, and that is why they want me to choreograph.
Catalysts offer the promise of making chemical transformations far less polluting.
If the results of the present study on the chemical nature of the transforming principle are confirmed, then nucleic acids must be regarded as possessing biological specificity the chemical basis of which is as yet undetermined.
We are close to dead. There are faces and bodies like gorged maggots on the dance floor, on the highway, in the city, in the stadium; they are a host of chemical machines who swallow the product of chemical factories, aspirin, preservatives, stimulant, relaxant, and breathe out their chemical wastes into a polluted air. The sense of a long last night over civilization is back again.
For Christmas, 1939, a girl friend gave me a book token which I used to buy Linus Pauling's recently published Nature of the Chemical Bond. His book transformed the chemical flatland of my earlier textbooks into a world of three-dimensional structures.
When you do 'Strictly,' you're kind of restricted. You have to dance for 90 seconds, you have to choreograph for your partner.
Everywhere in the world, when you travel, you see structures that stand out. Historic structures and new structures. But in India, I don't see anything that stands out.
You can't choreograph death, but you can choreograph your funeral.
There have been times when I booked out a dance studio and I've tried to choreograph in there and suddenly I feel like I have no creativity.
Conductors make too much fuss about conductors! Humility and hard work are virtues. We're nothing without our musicians.
Good conductors know when to push and when to lay back. I've known so many great conductors that I'm still doing what I can to learn the craft of this role.
It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.
Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.
As a kid, I loved leading 'dance camp' in my garage for the neighborhood kids. I would choreograph really intricate routines for us to perform. It was so much fun!
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